Galerie Nathalie Obadia
Art Basel 2018
Untitled, 2017
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Hermaphrodite , 2012
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In expansive clutter of unimaginable emotions exceeded love, sadness and hatred and joy so much cloth made covered, covered and covered as bricks could cover to house, to entangle bodies sometimes as figures,ghosts as visible, as spectacle as sun. , 2017
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Drap vermell, 1993
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Untitled (1962.2), 1962
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Untitled (1964.4.4), 1964
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Yin et Yang, 2006
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Femme debout, 2014
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Femme à la coiffure, 1990
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Yellow, 2017
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Matrimonial market and unearthly suitors., 2016
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Myth of bunny in forest of flowers and honey, of a spectacular DNA and star's energy and his or her monsters peek and poke to play, to no other end is there, but this play, no other reason no other purpose to -just joy in our wildness to mix and merge to leave to run out kiss each reach , where there are worlds with worlds endless, 2015
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Le Vitrail vert et Le Bol avec le vert déposé, 2018
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Untitled (1962.2), 1962
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Untitled (1964.1.14), 1964
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Couple, 2012
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Prune, 2006
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When signs of origin fade, fall out, if washed away, trickle into separations, precipitate when boiled or filtered to reveal all doubleness as wickedness. Vanishing act that migration, mixation like mothers who hid paternity who could name move me slowly reveal me only when my maker stands straight, 2017
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Courageous odors violent and natural cut open veils of decency reveals the misformed, the funny and peculiar and all such oddities in a grand gesture, a assertion of the physical, 2014
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Hores de llum i de foscor, 1986
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1990/09 ROUGE (est,ouest...) VERT, 1990
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Untitled (1962.3), 1962
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Untitled (1963.11.17), 1963
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Standing woman, 2015
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Petite Sirène, 2004
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