Galerie Nathalie Obadia
Art Basel in Hong Kong 2017

, 'The Waterfall,' 2016, Galerie Nathalie Obadia

Brook Andrew

The Waterfall, 2016

Galerie Nathalie Obadia

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, 'Buried in stump while knitted together at side in a illusion a roar of birds and predators pickled on earth in one spray of air played. ,' 2015, Galerie Nathalie Obadia

Rina Banerjee

Buried in stump while knitted together at side in a illusion a roar of birds and predators pickled on earth in one spray of air played. , 2015

Galerie Nathalie Obadia

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, 'Returned from the Amazons, returned from East, returning to bring beauty of their flowers in jungles sewn, returning with animals from the “altar of afar” with samples of people, furnishings, sugar and clove, spicing the world with the that will soon be known and everything that was - was once not known could be bought and sold.,' 2016, Galerie Nathalie Obadia

Rina Banerjee

Returned from the Amazons, returned from East, returning to bring beauty of their flowers in jungles sewn, returning with animals from the “altar of afar” with samples of people, furnishings, sugar and clove, spicing the world with the that will soon be known and everything that was - was once not known could be bought and sold., 2016

Galerie Nathalie Obadia

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, 'Artistic Laws,' 2011, Galerie Nathalie Obadia

Manuel Ocampo

Artistic Laws, 2011

Galerie Nathalie Obadia

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, 'Half - Home-1,' 2016, Galerie Nathalie Obadia

Mithu Sen

Half - Home-1, 2016

Galerie Nathalie Obadia

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, 'Chine, porteurs de briques,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, porteurs de briques, 1957

Galerie Nathalie Obadia

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, 'Chine, Yunnan, responsable d’un village en coopérative,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, Yunnan, responsable d’un village en coopérative, 1957

Galerie Nathalie Obadia

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, 'Chine, fillette au quai de Canton,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, fillette au quai de Canton, 1957

Galerie Nathalie Obadia

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, 'Canton (Chine), école flottante,' 1957, Galerie Nathalie Obadia

Agnès Varda

Canton (Chine), école flottante, 1957

Galerie Nathalie Obadia

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, 'Matrimonial market and unearthly suitors.,' 2016, Galerie Nathalie Obadia

Rina Banerjee

Matrimonial market and unearthly suitors., 2016

Galerie Nathalie Obadia

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, 'In Plain Sight, a tear see- med to surge out of the most left eye, in pocket hidden, piled high, seeds, timeless pinched her for a plenty with teeth tickles of simple justice.,' 2015, Galerie Nathalie Obadia

Rina Banerjee

In Plain Sight, a tear see- med to surge out of the most left eye, in pocket hidden, piled high, seeds, timeless pinched her for a plenty with teeth tickles of simple justice., 2015

Galerie Nathalie Obadia

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, 'Night is Coming,' 2014, Galerie Nathalie Obadia

Tomoko Kashiki

Night is Coming, 2014

Galerie Nathalie Obadia

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, 'Primogenitor,' 2014, Galerie Nathalie Obadia

Manuel Ocampo

Primogenitor, 2014

Galerie Nathalie Obadia

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, 'Half - Home-4,' 2016, Galerie Nathalie Obadia

Mithu Sen

Half - Home-4, 2016

Galerie Nathalie Obadia

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, 'Shenyang (Chine), ex-Moukden, sortie scolaire en plein vent du désert de Gobi,' 1957, Galerie Nathalie Obadia

Agnès Varda

Shenyang (Chine), ex-Moukden, sortie scolaire en plein vent du désert de Gobi, 1957

Galerie Nathalie Obadia

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, 'Chine, Enfant assis,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, Enfant assis, 1957

Galerie Nathalie Obadia

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, 'Chine, les chapeaux au jardin d’enfants 1,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, les chapeaux au jardin d’enfants 1, 1957

Galerie Nathalie Obadia

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, 'These oceans can open, spray scent, come and send away, piles of tight circles, criss cross to wet lands at the waters' edge, faulted five and so many cities, deposited,' 2015, Galerie Nathalie Obadia

Rina Banerjee

These oceans can open, spray scent, come and send away, piles of tight circles, criss cross to wet lands at the waters' edge, faulted five and so many cities, deposited, 2015

Galerie Nathalie Obadia

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, 'In Mute Witness at the outskirts and out of center she forms a final creased edge of makeshift settlements, a dark and iridescent thorn of horn pierces all home with the hard and the green of unripe fruit,' 2015, Galerie Nathalie Obadia

Rina Banerjee

In Mute Witness at the outskirts and out of center she forms a final creased edge of makeshift settlements, a dark and iridescent thorn of horn pierces all home with the hard and the green of unripe fruit, 2015

Galerie Nathalie Obadia

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, 'Relic,' 2016, Galerie Nathalie Obadia

Chao Lu

Relic, 2016

Galerie Nathalie Obadia

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, 'in our hands... nothin(Egon and me) -2,' 2010, Galerie Nathalie Obadia

Mithu Sen

in our hands... nothin(Egon and me) -2, 2010

Galerie Nathalie Obadia

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, 'Sud de la Chine, jour de pluie,' 1957, Galerie Nathalie Obadia

Agnès Varda

Sud de la Chine, jour de pluie, 1957

Galerie Nathalie Obadia

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, 'Chine, région de Wan Sien,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, région de Wan Sien, 1957

Galerie Nathalie Obadia

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, 'Chine, sur le bateau qui dessert le Yang Tze,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, sur le bateau qui dessert le Yang Tze, 1957

Galerie Nathalie Obadia

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, 'Chine, lieu touristique,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, lieu touristique, 1957

Galerie Nathalie Obadia

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