Galerie Nathalie Obadia
Art Basel in Hong Kong 2018
Rectangle, 2017
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Courageous odors violent and natural cut open veils of decency reveals the misformed, the funny and peculiar and all such oddities in a grand gesture, a assertion of the physical, 2014
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Petty crime, shame on her mind, 2014
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The Monsters of Reason Produces Sleep (after Goya and Tex Avery), 2017
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Utopian Cargo, 2017
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Gu Minchao (Made in China) , 2017
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Zhang Yiqian and Chen Ye (Made in China) , 2017
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River & Riverbed, 2016
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One line, 2017
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Rain waters wrinkled and umbrellas widened while she curled endlessly liberating her ethnography to customs, castes, classes, exotic details and art historical references, scientific jargon... all salted with human tongue and check, 2009
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In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared, 2017
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Minima Moralia, 2015
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Zhang Rong (Made in China) , 2017
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Liu Huan (Made in China) , 2017
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Niuniu, 2003
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Gradual Enlightenment , 2015
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Matrimonial market and unearthly suitors., 2016
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A stranger has come for many days, with gold coins, with strange stories she had spoken, widened rooms amazed. She told of her stay far, far away, All this in Channel dress and painted face. She rolled in without haste from song to simple steps chased your wishes, dreams, even promises to self to lure them to come back again., 2017
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In expansive clutter of unimaginable emotions exceeded love, sadness and hatred and joy so much cloth made covered, covered and covered as bricks could cover to house, to entangle bodies sometimes as figures,ghosts as visible, as spectacle as sun. , 2017
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The Dream of An Existence Without Shame, 2015
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Sun Yitian (Made in China) , 2017
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Xie Xinchun (Made in China) , 2017
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Bronzer, 2012
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