Galerie Nathalie Obadia
Art Basel in Hong Kong 2018

, 'Rectangle,' 2017, Galerie Nathalie Obadia

Brook Andrew

Rectangle, 2017

Galerie Nathalie Obadia

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, 'Courageous odors violent and natural cut open veils of decency reveals the misformed, the funny and peculiar and all such oddities in a grand gesture, a assertion of the physical,' 2014, Galerie Nathalie Obadia

Rina Banerjee

Courageous odors violent and natural cut open veils of decency reveals the misformed, the funny and peculiar and all such oddities in a grand gesture, a assertion of the physical, 2014

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, 'Petty crime, shame on her mind,' 2014, Galerie Nathalie Obadia

Rina Banerjee

Petty crime, shame on her mind, 2014

Galerie Nathalie Obadia

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, 'The Monsters of Reason Produces Sleep (after Goya and Tex Avery),' 2017, Galerie Nathalie Obadia

Manuel Ocampo

The Monsters of Reason Produces Sleep (after Goya and Tex Avery), 2017

Galerie Nathalie Obadia

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, 'Utopian Cargo,' 2017, Galerie Nathalie Obadia

Manuel Ocampo

Utopian Cargo, 2017

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, 'Gu Minchao (Made in China) ,' 2017, Galerie Nathalie Obadia

Andres Serrano

Gu Minchao (Made in China) , 2017

Galerie Nathalie Obadia

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, 'Zhang Yiqian and Chen Ye (Made in China) ,' 2017, Galerie Nathalie Obadia

Andres Serrano

Zhang Yiqian and Chen Ye (Made in China) , 2017

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, 'River & Riverbed,' 2016, Galerie Nathalie Obadia

Ni Youyu 倪有鱼

River & Riverbed, 2016

Galerie Nathalie Obadia

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, 'One line,' 2017, Galerie Nathalie Obadia

Brook Andrew

One line, 2017

Galerie Nathalie Obadia

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, 'Rain waters wrinkled and umbrellas widened while she curled endlessly liberating her ethnography to customs, castes, classes, exotic details and art historical references, scientific jargon... all salted with human tongue and check,' 2009, Galerie Nathalie Obadia

Rina Banerjee

Rain waters wrinkled and umbrellas widened while she curled endlessly liberating her ethnography to customs, castes, classes, exotic details and art historical references, scientific jargon... all salted with human tongue and check, 2009

Galerie Nathalie Obadia

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, 'In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared,' 2017, Galerie Nathalie Obadia

Rina Banerjee

In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared, 2017

Galerie Nathalie Obadia

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, 'Minima Moralia,' 2015, Galerie Nathalie Obadia

Manuel Ocampo

Minima Moralia, 2015

Galerie Nathalie Obadia

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, 'Zhang Rong (Made in China) ,' 2017, Galerie Nathalie Obadia

Andres Serrano

Zhang Rong (Made in China) , 2017

Galerie Nathalie Obadia

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, 'Liu Huan (Made in China) ,' 2017, Galerie Nathalie Obadia

Andres Serrano

Liu Huan (Made in China) , 2017

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, 'Niuniu,' 2003, Galerie Nathalie Obadia

Wang Keping 王克平

Niuniu, 2003

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, 'Gradual Enlightenment ,' 2015, Galerie Nathalie Obadia

Ni Youyu 倪有鱼

Gradual Enlightenment , 2015

Galerie Nathalie Obadia

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, 'Matrimonial market and unearthly suitors.,' 2016, Galerie Nathalie Obadia

Rina Banerjee

Matrimonial market and unearthly suitors., 2016

Galerie Nathalie Obadia

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, 'A stranger has come for many days, with gold coins, with strange stories she had spoken, widened rooms amazed. She told of her stay far, far away, All this in Channel dress and painted face. She rolled in without haste from song to simple steps chased your wishes, dreams, even promises to self to lure them to come back again.,' 2017, Galerie Nathalie Obadia

Rina Banerjee

A stranger has come for many days, with gold coins, with strange stories she had spoken, widened rooms amazed. She told of her stay far, far away, All this in Channel dress and painted face. She rolled in without haste from song to simple steps chased your wishes, dreams, even promises to self to lure them to come back again., 2017

Galerie Nathalie Obadia

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, 'In expansive clutter of unimaginable emotions exceeded love, sadness and hatred and joy so much cloth made covered, covered and covered as bricks could cover to house, to entangle bodies sometimes as figures,ghosts as visible, as spectacle as sun. ,' 2017, Galerie Nathalie Obadia

Rina Banerjee

In expansive clutter of unimaginable emotions exceeded love, sadness and hatred and joy so much cloth made covered, covered and covered as bricks could cover to house, to entangle bodies sometimes as figures,ghosts as visible, as spectacle as sun. , 2017

Galerie Nathalie Obadia

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, 'The Dream of An Existence Without Shame,' 2015, Galerie Nathalie Obadia

Manuel Ocampo

The Dream of An Existence Without Shame, 2015

Galerie Nathalie Obadia

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, 'Sun Yitian (Made in China) ,' 2017, Galerie Nathalie Obadia

Andres Serrano

Sun Yitian (Made in China) , 2017

Galerie Nathalie Obadia

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, 'Xie Xinchun (Made in China) ,' 2017, Galerie Nathalie Obadia

Andres Serrano

Xie Xinchun (Made in China) , 2017

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, 'Bronzer,' 2012, Galerie Nathalie Obadia

Wang Keping 王克平

Bronzer, 2012

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