Galerie Nathalie Obadia
ART021 Shanghai Contemporary Art Fair 2019

, 'In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared,' 2017, Galerie Nathalie Obadia

Rina Banerjee

In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared, 2017

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, 'Courageous odors violent and natural cut open veils of decency reveals the misformed, the funny and peculiar and all such oddities in a grand gesture, a assertion of the physical,' 2014, Galerie Nathalie Obadia

Rina Banerjee

Courageous odors violent and natural cut open veils of decency reveals the misformed, the funny and peculiar and all such oddities in a grand gesture, a assertion of the physical, 2014

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, 'Angel of Girls, girls, girls tight walking on fire,' 2015, Galerie Nathalie Obadia

Rina Banerjee

Angel of Girls, girls, girls tight walking on fire, 2015

Galerie Nathalie Obadia

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, 'Peinture de nuages,' 2018, Galerie Nathalie Obadia

Benoît Maire

Peinture de nuages, 2018

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, 'In Grand Ma’s Dream Grand Dad Would Not Loose His New Teeth Everywhere,' 2018, Galerie Nathalie Obadia

Laure Prouvost

In Grand Ma’s Dream Grand Dad Would Not Loose His New Teeth Everywhere, 2018

Galerie Nathalie Obadia

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, 'Chine, les chapeaux au jardin d’enfants 2,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, les chapeaux au jardin d’enfants 2, 1957

Galerie Nathalie Obadia

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, 'Canton (Chine), village flottant, retour de l’école,' 1957, Galerie Nathalie Obadia

Agnès Varda

Canton (Chine), village flottant, retour de l’école, 1957

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, 'L’attente,' 2014, Galerie Nathalie Obadia

Wang Keping 王克平

L’attente, 2014

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, 'Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped,dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourning baked her if fires of ceremony, cooked in her in modernity,' 2018, Galerie Nathalie Obadia

Rina Banerjee

Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped,dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her in mourning baked her if fires of ceremony, cooked in her in modernity, 2018

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, 'Any two nativese who may object to ceremony may act in civil law union with hands pressed in an offering a gesture madeAny two nativese who may object to ceremony may act in civil law union with hands pressed in an offering a gesture made,' 2018, Galerie Nathalie Obadia

Rina Banerjee

Any two nativese who may object to ceremony may act in civil law union with hands pressed in an offering a gesture madeAny two nativese who may object to ceremony may act in civil law union with hands pressed in an offering a gesture made, 2018

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, 'Bassin, Bessines,' 2018, Galerie Nathalie Obadia

Fabrice Hyber

Bassin, Bessines, 2018

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, 'Peinture de nuages,' 2018, Galerie Nathalie Obadia

Benoît Maire

Peinture de nuages, 2018

Galerie Nathalie Obadia

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, 'You could hear this image,' 2017, Galerie Nathalie Obadia

Laure Prouvost

You could hear this image, 2017

Galerie Nathalie Obadia

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, 'Chine, enfant devant les rizières vers Chongqing,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, enfant devant les rizières vers Chongqing, 1957

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, 'Oiseau,' 2015, Galerie Nathalie Obadia

Wang Keping 王克平

Oiseau, 2015

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, 'The Distant Waterfall,' 2017, Galerie Nathalie Obadia

Ni Youyu 倪有鱼

The Distant Waterfall, 2017

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, 'Widow marriages and interracial catches at the edge of paradise’s forest must stare into a state appointed registrar with no objections and ample warnings as crowning.,' 2018, Galerie Nathalie Obadia

Rina Banerjee

Widow marriages and interracial catches at the edge of paradise’s forest must stare into a state appointed registrar with no objections and ample warnings as crowning., 2018

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, 'The durability of her beauty, polished fingers, her private and delicate proportions made all the city to know that she was a wonder that only nature was able to ponder,' 2011, Galerie Nathalie Obadia

Rina Banerjee

The durability of her beauty, polished fingers, her private and delicate proportions made all the city to know that she was a wonder that only nature was able to ponder, 2011

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, 'Cherry Concombre,' 2016, Galerie Nathalie Obadia

Fabrice Hyber

Cherry Concombre, 2016

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, 'Peinture de nuages,' 2018, Galerie Nathalie Obadia

Benoît Maire

Peinture de nuages, 2018

Galerie Nathalie Obadia

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, 'Sud de la Chine, jour de pluie,' 1957, Galerie Nathalie Obadia

Agnès Varda

Sud de la Chine, jour de pluie, 1957

Galerie Nathalie Obadia

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, 'Chine, Yunnan, responsable d’un village en coopérative,' 1957, Galerie Nathalie Obadia

Agnès Varda

Chine, Yunnan, responsable d’un village en coopérative, 1957

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, 'Fruits,' 2018, Galerie Nathalie Obadia

Wang Keping 王克平

Fruits, 2018

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, 'View of History II,' 2015-2016, Galerie Nathalie Obadia

Ni Youyu 倪有鱼

View of History II, 2015-2016

Galerie Nathalie Obadia

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