Xiaohua received her Master in Arts from Berlin University of Arts. As she migrants between cities and countries, season changes and constantly travels add meticulous feelings to her works. Xiaohua’s works let us use the inner relation of manual line and painting tools. Ready-made painting seems the first appearance of the world and nature from the void in a weak and casual form. In Xiaohua’s works, on the one hand, those fine manual suture and wire lines on black plane seem shining starry sky in the night with the sound of tearing yet is internally removed; on the other hand, those painting frames are useless and doesn’t provide planes for painting, and they are delicate as association of natural scenery when pierced by artist. Just as the imagination triggered by traditional stones, it is not painting but seems paintings. This is the re-voice of the aesthetics of “between resemble and not resemble”. Ready-made painting stimulates us to rethink the relationship between man and art., and retain the vulnerability and uncertainty of boundaries.