The term GUHA, from Sanskrit, applies to everything that has a hidden character and consequently does not manifest itself outwardly: it is the undisclosed initiatory secret.
Along the online exhibition, visitors will be able to admire a research that draws inspiration from the union. Her works live in an abstraction rich in colors and meanings. If it were possible to define the action of Feofeo, through some nouns, undoubtedly the terms vitality, emotion, music and color represent solid foundations from which everything unfolds conceptually and philosophically. They, in apparent simplicity, contain a complex universe that is difficult to explain in a single solution. The artistic investigation follows a notion deriving from photography in which if reality takes strength thanks to black and white, the world lives within infinite tones. This aspect, indicated by the painter in the words "I am color", becomes a consequence to highlight one of her main focal points.
For the first time ever there are new works that represent a new cycle focused on the esoteric theme that, with respect to the past, enters more and more inside its canvases enriching itself with arcane essences. Disaminations belonging to the Priory of Sion, to the Templars up to the theses of the philosopher René Guénon enhance her painting more.
As the critical text of the curator Alain Chivilò: "Taking up the analysis of the French intellectual, the spiritual essence now closed by a strong material-sentimental approach must or at least should hope for rebirth, highlighting in the human being a new form of truthfulness . On the other hand, how can we not consider that the theology so far known, in turn, lives along a narrative questioned by an additional explanatory way realistic to our existence.
We are therefore faced with a complex universe, but above all made up of many symbols that become the source of an original pictorial representation. The present cycle, painted between the end of 2018 and the beginning of 2019, revolves around a wording that explains studies and explanations that have not yet found a unique decoding: ET IN ARCADIA EGO. An inscription that, enclosing hermetic foundations hidden for thousands of years to human explanation, distinguishes the works of this period through a branding for single letters, without resorting to a pre-established format: a title that starts a creative process full of mystery.
Already in the same technique of the impression it is shown how the use of one of the four elements by the artist, the fire, expresses an emblem apt to indicate the origin and the state of matter on the physical plane, but above all the vital principle which it contains. The inscription, in addition to distinguishing the current path, is characterized by further conceptual structuring, thanks to the inclusion in the artistic composition of symbols deriving from Sacred Science. A new message is therefore highlighted to indicate other themes to his poetry. Therefore nothing is left to chance as Feofeo, intellectually and philosophically, allows her works to be artistic personification and metaphor of profound notions from the unequivocal representation, but from the multiple explanation. The abstract world that the painter represents is articulated and vast, but it determines in the observer that a mental openness towards those why is still unexplored arises.