Since 1967, Anne and Patrick Poirier have been working together as travelers, surveyors of sites and discoverers of ancient civilizations, religions and cultures. Embracing the human sciences with an artistic approach and in the wake of Claude Lévi-Strauss's teachings, during their explorations they gather archive material useful for the understanding of the organization and the disappearance of ancient societies.
For their first exhibition at the gallery, DYSTOPIA, Anne and Patrick Poirier presents unedited works, continuing with the research done in recent years on the sites of ancient Mesopotamia (today Iraq and Syria) and as a sum of a shared and always moving work methodology. The title of the exhibition refers explicitly to the term dystopia, coined at the end of the eighteenth century as negative antithetical of utopia: an artificial society in which some social, political and technological trends experienced in the present are brought to the extreme by highlighting their negative and distorting aspects. Similarly, using the past and the present as subjects matter for the creation of an aesthetic representation of future suggestions, the work of the Poirier creates invented models, incarnations of imaginable but artificial forms of civilization. Every form, every fraction, every architectural or visual fragment, is linked to historical events and imaginary notions, inviting the observer to no longer perceive History as an entity separate from existence but to live and interiorize the present in a wider historical environment.
Anne and Patrick Poirier studied at the École des Arts Décoratifs in Paris and participated in the residence of Villa Medici in Rome from 1969 to 1971. Numerous the international exhibitions in which they took part: the Venice Biennale (1976, 1980 and 1984) documenta VI in Kassel (1977) and the Biennale de Lyon (2000). Their work has been exposed in some of the most prestigious institutions such as the Neuer Berliner Kunstverein in Berlin (1977), the Centre Georges Pompidou in Paris (1978), the MoMA in New York (1979) and The Getty Research Institute in Los Angeles (2001). More recently, their work was exhibited at the Couvent de la Tourette (2013), at the Musée des Beaux-Arts de Nantes (2014), at the Musée d'Art Moderne et contemporain de Saint-Etienne (2016) and at the Skulpturenpark Waldfrieden (Tony Cragg Foundation) (2016). In September 2017, in addition to the exhibition DYSTOPIA at Galleria Fumagalli in Milan, they inaugurate their personal shows at Galerie Mitterand in Paris (September 8 - October 31, 2017) and at the Maison Européenne de la Photographie in Paris (6 September - 29 October, 2017).