Caroline Larsen’s work depicts woven mountain landscapes inspired by the Canadian Rocky mountains. Only upon closer examination of the tactile surfaces does it become apparent that the pictures are not woven fabrics, but, rather, elaborately applied oil paint. Larsen’s process involves loading the paint into piping bags and squeezing it onto the canvas to create delicately layered and brilliantly hued coatings of paint. Lines and layers seem to weave over one another in lushly textured networks that create an assortment of rich, material densities. Employing what the artist refers to as a “sincere kitschiness,” as well as a sense of chromatic pleasure, each painting presents a masterful display of ornamental and vibrant color. The resultant works exhibit a harmonious balance of painting and sculptural relief.
Larsen received an MFA from the Pratt Institute, and a BFA from the University of Waterloo. Her work has been exhibited nationally and internationally, including at Wave Hill Public Gardens, The Hole NYC, Boiler Room: Pierogi Gallery, Brooklyn, NY; Craig Krull Gallery, Santa Monica, CA; Foulandi Projects, San Francisco, CA; General Hardware Contemporary, Toronto, Canada; Gordon Gallery 2, Tel Aviv, Israel; 68 Projects, Berlin, Germany; Dio Horia, Mykonos, Greece. Larsen’s work is included in many private and corporate collections such as TD Collection, Colart Collection and Imago Mundi Collection. Her work has been featured and reviewed in the New York Times, Whitewall Magazine, Canadian Art, Juxtapoz Magazine, and Now Magazine, among other publications. In 2018 Larsen’s work will be included in a group exhibition, Georgia O’Keeffe and Contemporary Artists at Crystal Bridges Museum of American Art.