About

As early as 1910, artists such as Kandinsky, Kupka, Mondrian or Malevich created a new formal language, where line, geometric shape and color became significant by themselves; leading Theo Van Doesburg (1883-1931) to observe that nothing is more concrete, more real than a line, than a color, than a surface.

The universal language of geometric abstraction has in fact never aged, constituting a real living heritage and nourishing itself, over the generations, on the different aspects of successive eras in order to evolve and reinvent itself.
This selection brings together historical and …