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Italian Futurism, 1909–1944: Reconstructing the Universe

February 21 – September 1, 2014

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11 Artworks

Giacomo Balla

Abstract Speed + Sound (Velocità astratta + rumore), 1913-1914

Guggenheim Museum

Umberto Boccioni

Unique Forms of Continuity in Space (Forme uniche della continuità nello spazio), 1913 (cast 1949)

Guggenheim Museum

Carlo Carrà

Interventionist Demonstration (Manifestazione Interventista), 1914

Guggenheim Museum

Filippo Masoero

Descending over Saint Peter (Scendendo su San Pietro), ca. 1927, 37 (possibly 1930, 33)

Guggenheim Museum

Mino Somenzi & Pino Masnata

Futurismo 2, no. 32 (Apr. 16, 1933), 1933

Guggenheim Museum

Tullio Crali

Before the Parachute Opens (Prima che si apra il paracadute), 1939

Guggenheim Museum

Giacomo Balla

The Hand of the Violinist (The Rhythms of the Bow) (La mano del violinista [I ritmi dell’archetto]), 1912

Guggenheim Museum

Luigi Russolo

“The Art of Noises: Futurist Manifesto” (“L’arte dei rumori: Manifesto futurista”) , 1913

Guggenheim Museum

Francesco Cangiullo

Large Crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), 1914

Guggenheim Museum

Fortunato Depero

Heart Eaters (Mangiatori di cuori), 1923

Guggenheim Museum

Benedetta (Cappa Marinetti)

Synthesis of Aerial Communications (Sintesi delle comunicazioni aeree), 1933-1934

Guggenheim Museum

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Benedetta (Cappa Marinetti)

Carlo Carrà

Filippo Masoero

Fortunato Depero

Francesco Cangiullo

Giacomo Balla

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Giacomo Balla

Abstract Speed + Sound (Velocità astratta + rumore), 1913-1914

Guggenheim Museum

Umberto Boccioni

Unique Forms of Continuity in Space (Forme uniche della continuità nello spazio), 1913 (cast 1949)

Guggenheim Museum

Carlo Carrà

Interventionist Demonstration (Manifestazione Interventista), 1914

Guggenheim Museum

Filippo Masoero

Descending over Saint Peter (Scendendo su San Pietro), ca. 1927, 37 (possibly 1930, 33)

Guggenheim Museum

Mino Somenzi & Pino Masnata

Futurismo 2, no. 32 (Apr. 16, 1933), 1933

Guggenheim Museum

Tullio Crali

Before the Parachute Opens (Prima che si apra il paracadute), 1939

Guggenheim Museum

Giacomo Balla

The Hand of the Violinist (The Rhythms of the Bow) (La mano del violinista [I ritmi dell’archetto]), 1912

Guggenheim Museum

Luigi Russolo

“The Art of Noises: Futurist Manifesto” (“L’arte dei rumori: Manifesto futurista”) , 1913

Guggenheim Museum

Francesco Cangiullo

Large Crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), 1914

Guggenheim Museum

Fortunato Depero

Heart Eaters (Mangiatori di cuori), 1923

Guggenheim Museum

Benedetta (Cappa Marinetti)

Synthesis of Aerial Communications (Sintesi delle comunicazioni aeree), 1933-1934

Guggenheim Museum

Giacomo Balla

Abstract Speed + Sound (Velocità astratta + rumore), 1913-1914

Guggenheim Museum

Luigi Russolo

“The Art of Noises: Futurist Manifesto” (“L’arte dei rumori: Manifesto futurista”) , 1913

Guggenheim Museum

Mino Somenzi & Pino Masnata

Futurismo 2, no. 32 (Apr. 16, 1933), 1933

Guggenheim Museum

Giacomo Balla

The Hand of the Violinist (The Rhythms of the Bow) (La mano del violinista [I ritmi dell’archetto]), 1912

Guggenheim Museum

Carlo Carrà

Interventionist Demonstration (Manifestazione Interventista), 1914

Guggenheim Museum

Fortunato Depero

Heart Eaters (Mangiatori di cuori), 1923

Guggenheim Museum

Tullio Crali

Before the Parachute Opens (Prima che si apra il paracadute), 1939

Guggenheim Museum

Umberto Boccioni

Unique Forms of Continuity in Space (Forme uniche della continuità nello spazio), 1913 (cast 1949)

Guggenheim Museum

Francesco Cangiullo

Large Crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), 1914

Guggenheim Museum

Filippo Masoero

Descending over Saint Peter (Scendendo su San Pietro), ca. 1927, 37 (possibly 1930, 33)

Guggenheim Museum

Benedetta (Cappa Marinetti)

Synthesis of Aerial Communications (Sintesi delle comunicazioni aeree), 1933-1934

Guggenheim Museum

Presented by Guggenheim Museum

Guggenheim Museum

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