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Curated by Gachi Hasper with exhibition design by Osías Yanov, the show takes up both of the gallery’s exhibition spaces. On display in one of them are large parangolés that hang from ceiling to floor in a rereading of the work of Brazilian artist Hélio Oiticica. The second space features collages grouped according to formal, discursive, or political criteria: hundreds of faces cut out from newspapers and magazines where some are silenced by others; brand names and logos accumulated obsessively; works based on screen shots from Grinder or on a passage from a speech that Spanish anarchist …