Marie Jacotey (b. 1988 Paris) studied at the Royal College of Art, London and École Nationale Supérieure des Arts Décoratifs, Paris.
Recent solo and other exhibitions include: It Was a Night, The Naughton Gallery at Queen’s University, Belfast, Northern Ireland (2018), GOODBYE DARKNESS, Ballon Rouge Collective, Paris (2018), From the Inside Out, Drawing Room, London (2018), Architectural Ethnography, Japan Pavilion at the Venice Architecture Biennale, Venice (2018), Morning Defeats, Hannah Barry Gallery, London (2017), XOXO, curated by Katharina Weinstock, Soy Capitán, Berlin (2017), Assemble: How We Build, Architekturzentrum Wien, Austria (2017), I never meant to hurt you, Francis Carrette Galerie, Brussels (2016), Loveless, McQueen project space (2016), What's the meaning of a goldfish, Tatjana Pieters Gallery, Ghent, Belgium (2016), 60eme Salon de Montrouge, Montrouge, France (2016), Bloomberg New Contemporaries, Newlyn Art Gallery, Cornwall, Institute of Contemporary Arts, London and Liverpool Biennial (2015-2016), Everything I used to love about us is dead, Hannah Barry Gallery, London (2015), Dolly, Hannah Barry Gallery, London (2014). Alongside her own practice Marie has always sought out alliances in the worlds of architecture, fashion, poetry and other disciplines and these have come to form an additional strand of her practice - she has made drawings for Assemble for their Turner Prize-winning Granby Workshop project, she was commissioned by McQueen to make new works to complement their accessories, by The Guardian Newspaper for the front cover of their Saturday Review Supplement and by London Underground to design a new cover for their Night Tube map. Her work is in the permanent collection of the V&A Museum, London.
Mohammed Qasim Ashfaq (born. 1982 Falkirk, Scotland) studied at the Slade School of Fine Art, London.
Recent solo and other exhibitions include: Geometrica, Tristan Hoare, London (2018), We Are Not Alone, British Council at ATHR, Jeddah, Saudi Arabia (2017), STERNE Kosmische Kunst von 1900 bis heute, LENTOS Kunstmuseum Linz, Austria (2017), Drawing Biennial, Drawing Room, London (2017), BLACK SUN, Hannah Barry Gallery, London (2017), Romanticism and the Sublime, Lubomirov Angus Hughes, London (2016), It’s Me to the World with Marina Abramović, Dorothy Cross, Richard Long, Hannah Rickards and Corin Sworn, Modern Art Oxford (2016), What we all lack, Hannah Barry Gallery, London (2016), ROD curated by Sir Norman Rosenthal, Embassy Gardens, London (2015), Mirrorcity curated by Stephanie Rosenthal, Hayward Gallery, London (2014), CLEAR BLACK SMOKE, Hannah Barry Gallery, London (2014), A Strong Affinity with James Balmforth and James Capper, Hannah Barry Gallery, London (2014), Open Heart Surgery, The Moving Museum, London (2013), Mohammed Qasim Ashfaq, Cairn, Fife, Scotland (2013), TECTONIC, The Moving Museum, Dubai (2013), Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane (2012), SILVER, Hannah Barry Gallery, London (2011), Make me a black hole and I will believe you, Amrita Jhaveri Space, Mumbai (2011), Let There Be Sculpture!, New Art Centre, Roche Court, Wiltshire, (2010), HOW DIRTY IS YOUR GLOSSY BLACK II, Bold Tendencies 4, Peckham, London (2010). His work is in the British Council Collection.