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Herlitzka + Faria at Frieze New York 2020

May 6 – May 15, 2020
Closed

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Herlitzka + Faria presents a selection of works from the 70s and 80s by Argentinean conceptual artist Osvaldo Romberg. His work explicitly reveals the structural scaffolding (material, perceptual, and cultural) on which our aesthetic appreciation rests.

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Osvaldo Romberg, ‘1-445 All the Colors of the Chromatic Circle Interacted by Blue Ultramarine’, 1980
Osvaldo Romberg
1-445 All the Colors of the Chromatic Circle Interacted by Blue Ultramarine, 1980
Herlitzka + Faria
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Osvaldo Romberg, ‘1-242 Random colors interpolated by green’, 1980
Osvaldo Romberg
1-242 Random colors interpolated by green, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘I Sustractive color mixture / II The same color in additive mixture’, 1980
Osvaldo Romberg
I Sustractive color mixture / II The same color in additive mixture, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1977
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of "Flatford Mill" (John Constable), 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of the Symbol of St. Mark, 1979
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of a Head of a Bison (Altamira), 1976
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of a Fragment of Lascaux Paintings, 1976
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Estudio del color para “La Ronda Nocturna” (Rembrandt), 1974
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1977
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘1-392 All the Colors of the Chromatic Circle Interacted by Orange Cadmium’, 1980
Osvaldo Romberg
1-392 All the Colors of the Chromatic Circle Interacted by Orange Cadmium, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘All the colors interpolated by blue’, 1981
Osvaldo Romberg
All the colors interpolated by blue, 1981
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘From red to blue, from red to yellow, from red to green’, 1976
Osvaldo Romberg
From red to blue, from red to yellow, from red to green, 1976
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1980
Herlitzka + Faria
Sold
Osvaldo Romberg
Tribute to Coltrane, 1978
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of "Empress Theodora and her Attendants" (547) Byzantine (1303-1453), 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of "Scenes of a Dionysian Mystery Cult" (50 B.C.) (Pompeii), 1979
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Estudio del color para “La Vocación de San Mateo” (Caravaggio), 1974
Herlitzka + Faria
Contact for price
Osvaldo Romberg
The violet disot, 1977
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled (dyptich), 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Interpolations, 1980
Herlitzka + Faria
Contact for price
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This is based on the artwork’s average dimension.
Osvaldo Romberg, ‘1-445 All the Colors of the Chromatic Circle Interacted by Blue Ultramarine’, 1980
Osvaldo Romberg
1-445 All the Colors of the Chromatic Circle Interacted by Blue Ultramarine, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘1-242 Random colors interpolated by green’, 1980
Osvaldo Romberg
1-242 Random colors interpolated by green, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘I Sustractive color mixture / II The same color in additive mixture’, 1980
Osvaldo Romberg
I Sustractive color mixture / II The same color in additive mixture, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1977
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of "Flatford Mill" (John Constable), 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of the Symbol of St. Mark, 1979
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of a Head of a Bison (Altamira), 1976
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of a Fragment of Lascaux Paintings, 1976
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Estudio del color para “La Ronda Nocturna” (Rembrandt), 1974
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1977
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘1-392 All the Colors of the Chromatic Circle Interacted by Orange Cadmium’, 1980
Osvaldo Romberg
1-392 All the Colors of the Chromatic Circle Interacted by Orange Cadmium, 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘All the colors interpolated by blue’, 1981
Osvaldo Romberg
All the colors interpolated by blue, 1981
Herlitzka + Faria
Contact for price
Osvaldo Romberg, ‘From red to blue, from red to yellow, from red to green’, 1976
Osvaldo Romberg
From red to blue, from red to yellow, from red to green, 1976
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled, 1980
Herlitzka + Faria
Sold
Osvaldo Romberg
Tribute to Coltrane, 1978
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of "Empress Theodora and her Attendants" (547) Byzantine (1303-1453), 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Analysis of "Scenes of a Dionysian Mystery Cult" (50 B.C.) (Pompeii), 1979
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Estudio del color para “La Vocación de San Mateo” (Caravaggio), 1974
Herlitzka + Faria
Contact for price
Osvaldo Romberg
The violet disot, 1977
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Untitled (dyptich), 1980
Herlitzka + Faria
Contact for price
Osvaldo Romberg
Interpolations, 1980
Herlitzka + Faria
Contact for price
Frieze New York 2020
May 6 – 15, 2020
Closed
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