Selected works from the artist's solo exhibition at the end of 2018, Dripping Water Cave at his representative gallery in China, Space Station Gallery (Beijing, China).
The artist deployed on this series of works a triple-image combined with the droplet, the fluid line, and the hole on acrylic and raw lacquer to describe the natural phenomenon. We see two images in this series of paintings. The droplet, small particles as dust in the clouds, surrounded with vapor, slowly accumulated, forming various droplets. Falling out from the sky, the round droplet became an egg-like flat plate, getting thinner and wider, and, affected by the air, slowly transformed into something like an inverted plastic bag which broke into many small particles in the end. These droplets, big and small, are the rain that fell on the ground. The hole, covered by raw lacquer and then scraped, the multi-quality pigments buried under the surface presented in the form of various holes, so that the traces developed as natural as sedimentary rocks.
In Jin's works, the dynamic lines of traces, pituitary-like or whirlpool-like, and the radiance glowing at different depths got all tangled, rotated and flowed on canvases. The specialties derived from the process of production, the laws of fluid physics, the unexpected of original manual work, and the spiritual mystery. These control and uncontrolled nature formed a unique dazzling picture.