It is self-evident that nothing concerning art is self-evident anymore, not it’s inner life, not it’s relation to the world, not even it’s right to exist— so spoke Theodore Adorno.
It is not amiss to suppose that this premise on some level informs the work of Morten Løbner Espersen— the Danish ceramist renowned for the (simultaneous) simplicity of his forms and complexity of his surfaces— and …
It is not amiss to suppose that this premise on some level informs the work of Morten Løbner Espersen— the Danish ceramist renowned for the (simultaneous) simplicity of his forms and complexity of his surfaces— and his approach to the clay. His real focus is the vessel It is an idea whose meaning has been culturally and obscured, clouded by an endless line of questioning and deconstruction.
As if responding to …
