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Jessica Silverman is thrilled to announce Matthew Angelo Harrison’s long-awaited “Invisible Silhouettes,” a solo show of ten distinct sculptures. Demonstrating a significant evolution in the artist’s resin encapsulations, these new works take the series on a gleaming, curvaceous trajectory, exploring human emotion and invisibility as a concept, perception and material state.

In the eighteenth century, the economist Adam Smith coined the expression “the invisible hand” to describe the dynamics of free-market economics. Harrison extends the metaphor by applying it not only to contemporary …