Josée Bienvenu
Art Toronto 2017
Peanuts featuring “Good Ol’ Charlie Brown” by Schulz, June 22nd, 1975, 2016
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Modernity Unbound, 2017
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Postcards to AZ: Ernst Barlach's "Die Flamme, 1934", 2017
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Postcards to Rrose Sélavy as Marcel Duchamp 4, 2017
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Postcards to C: Ian Carr-Harris's “Names, 1972", 2017
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Postcards to AZ: Edwin Sharff's "Portrait of Anni Mewes, 1921", 2017
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Postcards to AZ: "Farbige Aufteilung (1928)", Piet Mondrian. Location unknown, num 3, 2017
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Complete Coverage on Blinky Palermo (left), 2017
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"Welcome to The New World: The True Story of a Family’s Journey from Syria to America: A Refugee Family’s First Days," by Jake Halpern & Michael Sloan, The New York Times, February 4th, 2017, 2017
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Chloe: Japanese subtitles to a film by Atom Egoyan, 2017
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Postcards to AZ: Edwin Sharff, "Portrait of Anni Mewes, 1921", 2017
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Postcards to AZ: Max Liebermann's "Albert Einstein, 1922", 2017
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Postcards to Rrose Sélavy as Marcel Duchamp 1, 2017
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Postcards to C: Henrik Olesen’s "Intervention Into an Ideological system (After Cildo Meireles), 2003", 2017
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Postcards to AZ: Rudolf Belling's "Female Head, 1925", 2017
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Postcards to AZ: "Farbige Aufteilung (1928)", Piet Mondrian. Location unknown, num 4, 2017
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Complete Coverage on Blinky Palermo (right), 2017
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Peanuts featuring “Good Ol’ Charlie Brown” by Schulz, August 17th, 1975, 2016
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Postcards to AZ: "Unknown 11", 2017
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Postcards to AZ: Emy Roeder's "Schwangere Kunsth, Kartsruche Geschenk, 1921", 2017
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Postcards to Rrose Sélavy as Marcel Duchamp 3, 2017
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Postcards to C: Piero Manzoni’s "Uova con impronta, 1960", 2017
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Postcards to AZ: Rudolf Belling, "Female Head, 1925, num 6", 2017
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Complete Coverage on Blinky Palermo (center), 2017
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"Welcome to The New World: The True Story of a Family’s Journey from Syria to America: They’re Safe in America. Now What?" by Jake Halpern & Michael Sloan, The New York Times, February 18th, 2017, 2017
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