The exhibition includes an ensemble of five marble and granite pieces by Daniel Buren, punctuated by 8.7 cm-wide white and naturally coloured stripes, using the famous visual tool he invented in 1968. Begun in 2015, this site-responsive series of works, with its title borrowed from the origin of the stones used to make them, shapes and and lends a tempo to the space of the booth.
On the adjacent walls, two “Mandala Paintings” by Ugo Rondinone stare at each other like psychedelic cyclops’ eyes. These twin abstract targets, composed of blurred concentric yellow and golden circles, are deeply …