'RUSSIAN FORTRESS'

What you see at the exhibition is, so to say, a form, which is free from function and turned to an abstract sign. The name of exhibition “Russian Fortress” is assumed. It is not a building but a cipher, where some meaning is encoded.
There is no point in searching straightforwardness in these works, as everything here is irrational. The objects “live” after their own paradigms, disobeying the architecture order and structure, they are free from rational terms. As for drawings, they don’t know geometry key elements.
The object is self-absorbed, locked on it’s game with form and meaning, detached from the real world system, and is almost germproof. Here the time is formalized by the minimalism language, which offers to a viewer to escape from redundancy and leaves a feeling of some understatement and secret.
Here the objectlessness shows the detachment from the visual world and becomes a logic appearance of an absolutely locked сomposition center – a sacral space, where it is impossible to enter or to exit, but where you can look in narrow loopholes, walking through labyrinths, or view it from above.
V.NASEDKIN