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New Objectivity: Modern German Art in the Weimar Republic, 1919–1933

October 4 – January 18, 2016

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Presented by Los Angeles County Museum of Art

Presented by Los Angeles County Museum of Art

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"New Objectivity" will be the first extensive exhibition in the United States on the art of the Weimar Republic. Including nearly 200 works by 50+ artists, this comprehensive show will investigate dominant visual trends prior to World War II.

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23 Artworks:

Skin Graft (Transplantation) from the Portfolio War (Der Krieg), 1924

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

To Beauty (An die Schönheit), 1922

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Dance in Baden-Baden (Tanz in Baden-Baden), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

The Paper Machine (Die Papiermaschine), 1934

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Painter's Wife (Helene Abelen) (Frau des Malers Albelen), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Franz Radziwill

The Harbor II (Der Hafen II), 1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Christian Schad

Agosta, The Pigeon-Chested Man and Rasha, the Black Dove (Agosta, der Flügelmensch, und Rasha, die Schwarze Taube), 1929

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Self-Portrait in Front of an Advertising Column (Selbstbildnis vor der Litfaßsäule), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Construction (Untitled) (Konstruktion [Ohne Titel]), 1920

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Heinrich Maria Davringhausen

The Profiteer (Der Schieber) , 1920-1921

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Wanda von Debschitz-Kunowski

Sewing Machine (Nähmaschine), 1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Albert Renger-Patzsch

Flat Irons for Shoe Manufacture, Fagus Factory I (Bügeleisen für Schuhfabrikation, Fagus-Werk, Alfeld), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

The Jeweller Karl Krall (Der Juwelier Karl Krall), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Self-Portrait in Tuxedo (Selbstbildnis im Smoking), 1927

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Eggs on Plate (Eier auf Teller), 1929

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Portrait of a Boy (Knabenbildnis), 1928

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Herbert Ploberger

Self-Portrait with Opthalmological Models (Selbstbildnis mit Opthamologischen Lehrmodellen), 1928-1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Cacti and Semaphore (Kakteen und Semaphore), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Portrait of Dr. Felix J. Weil (Bildnis Dr. Felix J. Weil) , 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Picture of Industry (Industriebild), 1924

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Christian Schad

Self-Portrait (Selbstbildnis mit Modell), 1927

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

St. Georgs-Garten Housing Settlement, Architect Otto Haesler (St. Georgs-Garten Siedlung, Architekt Otto Haesler), 1920s

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Woman with Monocle (Dame mit Monokel), 1928

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

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Aenne Biermann

Albert Renger-Patzsch

Arthur Köster

August Sander

Carl Grossberg

Christian Schad

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Skin Graft (Transplantation) from the Portfolio War (Der Krieg), 1924

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

To Beauty (An die Schönheit), 1922

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Dance in Baden-Baden (Tanz in Baden-Baden), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

The Paper Machine (Die Papiermaschine), 1934

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Painter's Wife (Helene Abelen) (Frau des Malers Albelen), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Franz Radziwill

The Harbor II (Der Hafen II), 1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Christian Schad

Agosta, The Pigeon-Chested Man and Rasha, the Black Dove (Agosta, der Flügelmensch, und Rasha, die Schwarze Taube), 1929

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Self-Portrait in Front of an Advertising Column (Selbstbildnis vor der Litfaßsäule), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Construction (Untitled) (Konstruktion [Ohne Titel]), 1920

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Heinrich Maria Davringhausen

The Profiteer (Der Schieber) , 1920-1921

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Wanda von Debschitz-Kunowski

Sewing Machine (Nähmaschine), 1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Albert Renger-Patzsch

Flat Irons for Shoe Manufacture, Fagus Factory I (Bügeleisen für Schuhfabrikation, Fagus-Werk, Alfeld), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

The Jeweller Karl Krall (Der Juwelier Karl Krall), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Self-Portrait in Tuxedo (Selbstbildnis im Smoking), 1927

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Eggs on Plate (Eier auf Teller), 1929

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Portrait of a Boy (Knabenbildnis), 1928

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Herbert Ploberger

Self-Portrait with Opthalmological Models (Selbstbildnis mit Opthamologischen Lehrmodellen), 1928-1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Cacti and Semaphore (Kakteen und Semaphore), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Portrait of Dr. Felix J. Weil (Bildnis Dr. Felix J. Weil) , 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Picture of Industry (Industriebild), 1924

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Christian Schad

Self-Portrait (Selbstbildnis mit Modell), 1927

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

St. Georgs-Garten Housing Settlement, Architect Otto Haesler (St. Georgs-Garten Siedlung, Architekt Otto Haesler), 1920s

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Woman with Monocle (Dame mit Monokel), 1928

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Skin Graft (Transplantation) from the Portfolio War (Der Krieg), 1924

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Dance in Baden-Baden (Tanz in Baden-Baden), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Portrait of a Boy (Knabenbildnis), 1928

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Franz Radziwill

The Harbor II (Der Hafen II), 1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Self-Portrait in Front of an Advertising Column (Selbstbildnis vor der Litfaßsäule), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Portrait of Dr. Felix J. Weil (Bildnis Dr. Felix J. Weil) , 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Christian Schad

Self-Portrait (Selbstbildnis mit Modell), 1927

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

St. Georgs-Garten Housing Settlement, Architect Otto Haesler (St. Georgs-Garten Siedlung, Architekt Otto Haesler), 1920s

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

The Jeweller Karl Krall (Der Juwelier Karl Krall), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Eggs on Plate (Eier auf Teller), 1929

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Painter's Wife (Helene Abelen) (Frau des Malers Albelen), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Christian Schad

Agosta, The Pigeon-Chested Man and Rasha, the Black Dove (Agosta, der Flügelmensch, und Rasha, die Schwarze Taube), 1929

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Picture of Industry (Industriebild), 1924

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Heinrich Maria Davringhausen

The Profiteer (Der Schieber) , 1920-1921

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Albert Renger-Patzsch

Flat Irons for Shoe Manufacture, Fagus Factory I (Bügeleisen für Schuhfabrikation, Fagus-Werk, Alfeld), 1926

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

To Beauty (An die Schönheit), 1922

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Self-Portrait in Tuxedo (Selbstbildnis im Smoking), 1927

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

The Paper Machine (Die Papiermaschine), 1934

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Herbert Ploberger

Self-Portrait with Opthalmological Models (Selbstbildnis mit Opthamologischen Lehrmodellen), 1928-1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Cacti and Semaphore (Kakteen und Semaphore), 1923

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Construction (Untitled) (Konstruktion [Ohne Titel]), 1920

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Wanda von Debschitz-Kunowski

Sewing Machine (Nähmaschine), 1930

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Woman with Monocle (Dame mit Monokel), 1928

"New Objectivity: Modern German Art in the Weimar Republic, 1919–1933" at LACMA, Los Angeles

Presented by Los Angeles County Museum of Art

Los Angeles County Museum of Art

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