M77 Gallery presents the exhibition "The Differend", a solo show by painter Odili Donald Odita, from Tuesday 31 May to Saturday 17 September 2016.
Born in Enugu, Nigeria, Odita lives and works in the United States, in Philadelphia and New York.
His work includes references to the experience of Afro-American abstract artists in the ‘70s and '80s, and it explores dimensions of colour as developed throughout the history of landscape and figurative art, but also according to an idealistic sense of socio-political interpretation.
The exhibition features a selection of works made especially for the show. They include a site-specific work, a large wall-painting – a genre for which Odita is particularly famous and appreciated – which will entirely cover one of the walls of Galleria M77.
The exhibition's name comes from the title of the eponymous book by philosopher Jean-Francois Lyotard (1924-1998): differend (difference of opinion, disagreement) is a term of french origin that marks the moment at which language becomes insufficient for communication. According to Lyotard, the meaning of a sentence cannot be established on the basis of the facts to which it refers: reality is a conglomerate of possible meanings, linked to reality through words. Therefore language is inadequate to describe and understand the world, and the true meaning of every sentence will always remain indeterminate. Odita borrows this relativistic approach from verbal language and applies it to pictorial language, giving colours the same multiplicity of meanings that Lyotard assigned to words.
Odili Donald Odita uses colour as a metaphor of cultural codes: the tones that he creates have the objective of striking familiar chords in the observer, encouraging mental associations and becoming a reflection of the world's complexity. Odita has a dual heredity, Western and African, and he brilliantly combines them in his visual compositions, crossing frontiers into unexplored territories.
Abandoning the idea of a central focal point in the image, Odita invites observers to move and modify their viewpoint. This opens multiple perspectives of ever-changing colour, giving the painting a sculptural, three-dimensional effect. Odita structures the image from inside, creating intersecting geometries in contrasting hues. They are flat fields, wedges of colour that split and expand, with repetition and changing forms generating pulsating rhythms.
A world of differences, which can return to unity through art: for Odili Donald Odita, beauty is that which creates awareness of, and brings you closer to, the idea of a united humanity.