About

A few years ago, Droog Design presented a series of objects in which the consumer participated in achieving their final appearance. These included a metal bucket that was sold with a hammer, so that by hitting the bucket you could form the shape of a seat. At first glance, some of the pieces made of metal and designed by the Fredrikson Stallard studio –such as the "Crush" console or the "Tokyo" table– recall that radical piece. And yet intrinsically, while being equally experimental, they have very little in common.

That impulsive and passionate, even aggressive act of …