About

Tahnee Lonsdale’s ethereal, ghostly compositions explore the delicate interplays between consciousness, affection and sorrow. Painted in groups, or “couplets” as she sometimes refers to them, Lonsdale’s dreamlike scenes are surprisingly relatable, despite the absence of explicit human
presence.

Not Ghosts, But Just As Loud is Tahnee Lonsdale’s first presentation at MASSIMODECARLO Pièce Unique.

Inspired by the notions of “tribe” and sisterhood, as well mysticism and “otherness”, Lonsdale’s formal influences range from sci-fi movies such as James Cameron’s 1989 The Abyss, to Dorothea Tanning’s …