Anni Albers | Joell Baxter | Samantha Bittman
Chris Bogia | Martha Clippinger | Gabriel Dawe
Michelle Grabner | Lynne Harlow | Linda King Ferguson
Victoria Munro | Gabriel Pionkowski | Carrie Pollack
Sue Ravitz | Stephen Westfall | Emi Winter
November 7 – December 19, 2015
Opening: Saturday, November 7, 6-9pm
16 Main Street, Suite A, Brooklyn, NY 11201
www.minusspace.com | firstname.lastname@example.org | 718.801.8095
DUMBO | corner of Main + Water
A/C to High St. | F to York St. | 2/3 to Clark St.
Hours: Wednesday-Saturday 11am-5pm + by appointment
MINUS SPACE is delighted to present the group exhibition Fiber Optic, highlighting several generations of artists innovating at the intersection of geometry and fiber. The exhibition will feature works by fifteen artists from across the country, including Anni Albers, Joell Baxter, Samantha Bittman, Chris Bogia, Martha Clippinger, Gabriel Dawe, Michelle Grabner, Lynne Harlow, Linda King Ferguson, Victoria Munro, Gabriel Pionkowski, Carrie Pollack, Sue Ravitz, Stephen Westfall, and Emi Winter.
Over the past decade, there has been a strong resurgence of interest among contemporary artists in traditional forms associated with fiber and textiles. Fiber Optic will feature geometric, patterned, and color-based work across a wide array of media, including weaving, needlepoint, photography, painting, print, sculpture, and installation. As a spiritual and material touchstone for many of the participating artists, the exhibition will begin with a single, patterned gouache on paper study by the late, legendary Bauhaus artist and weaver Anni Albers (1899-1994). The exhibition will continue with artists Gabriel Dawe, Sue Ravitz, and Chris Borgia, who will present stitched, embroidered, and appliqued works comprised primarily of colored string or yarn.
Fiber Optic will also feature a new impastoed painting by Michelle Grabner depicting a gingham fabric pattern; Samantha Bittman’s black and white pattern painting over a handwoven textile; Victoria Munro’s brightly-colored cotton duck weaving using a painting stretcher as a loom; Linda King Ferguson’s lozenge-shaped acrylic painting on cut stretched linen; Gabriel Pionkowski’s deconstructed work with cut, woven, plaited, and painted canvas; Carrie Pollack’s photographs of rugs digitally printed in grayscale onto linen; Lynne Harlow’s repurposed Fender amplifier grill cloth mounted over a wooden stretcher; and Joell Baxter’s large-scale, chromatic window installation consisting of screenprinted, cut, and woven papers. The exhibition will conclude with large wool weavings by Emi Winter, Martha Clippinger, and Stephen Westfall, which were produced in collaboration with traditional master weavers in Teotitlán del Valle, Oaxaca, Mexico.
We are grateful to the Josef and Anni Albers Foundation, Hionas Gallery, James Cohan Gallery, Lennon Weinberg, Outlet, and The Hole for their generous assistance with this exhibition.
ABOUT MINUS SPACE
Opened in 2003, MINUS SPACE specializes in contemporary reductive abstract art, and represents pioneering emerging and established artists and estates from the United States, Europe, South America, and Australasia.
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