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The exhibition suggests an idea of photography as a training of the gaze. It features artists who are experiencing epochal changes in the way of perceiving space and time, images and their multiplication and spread. It outlines a discourse on the potential of photography as a tool of knowledge that restores to the gaze something it is perhaps losing, due to accumulation or cultural blindness: …
The exhibition suggests an idea of photography as a training of the gaze. It features artists who are experiencing epochal changes in the way of perceiving space and time, images and their multiplication and spread. It outlines a discourse on the potential of photography as a tool of knowledge that restores to the gaze something it is perhaps losing, due to accumulation or cultural blindness: the ability to see and to sense the mutual relations among images.
The desire to return to the basic elements of photography – light and time – to reactivate obsolete techniques and procedures, to get …