The aim of the exhibition is to investigate the implicit aesthetic value to the plastic activity conducted by Lucio Fontana in the context of ceramics, considering two different historical moments. During the first phase between 1935 and '39 in Sèvres and Albissola Marina he was inspired by still life and the animal world, combining the representation of the figural world with the strength of the magmatic material. In the second phase, which began in the postwar period, the manipulation of the ceramic maintains its organic vitality indicated by his spatialism poetics. Two different seasons, divided by the long stay in Argentina, but united by the need to keep alive the comparison with a material on which leave the sign of his own imprint, direct contact of the hand. Reflecting the poetic underlying the "spatial concepts", many ceramics and drawings will be shown during the exhibition.