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In recent decades in Mexico, we have found an interest in models of artistic practice that seek to nurture their contents and design their dynamics and languages from group creative processes.

Aesthetic evidences which traditionally protagonize a work of art, are here subordinated to an affective and a political articulation process of a group experience: a dense network of internal run-ins and intersubjective presentations working as the expressive framework of the piece. More than referring to the social or to represent it, this model of practice produces a novel experience of creative …