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The exhibition N​Y​man with a Movie Camera is conceived as a multi-screen installation of twelve video projections. It features eleven independant -yet interelated- edits of Nyman's ​NYman with a Movie Camera engaging in a visual discourse with Dziga Vertov’s 1929 film Man with a Movie Camera. The latter is presented in its entirety on an twelveth screen.

Nyman’s original engagement with Vertov’s film dates back to 2003 when he was commissioned by the British Film Institute to compose a new soundtrack for Vertov's film. This visual encounter subsequently triggered a five years' …