Painting in oil on canvas, Edwards’s works are fluid and change sometimes dramatically as those thoughts and ideas correspondingly reform. He also scribes his age in the artwork, often in the corner of the canvas as a countdown to his mortality and signature of his work. Edwards paints in an intriguing manner, his brush strokes are confident and loose and yet by contrast are reinforced with delicate lines and considered details. He skilfully makes this technique look easy, however this approach is achieved through his many years of painting full time.
Edwards’ practice to date has concentrated on the human figure - especially the history of portraiture. There are allusions to European art history as ‘old master paintings’ are subverted and the sitters are made to look impotent and ridiculous as characters set in a dark comedy on stage. Their features are often exaggerated; bulbous noses with swollen ears are paired with comic sullen expressions juxtaposed with a carnivalesque colour palette and/or heightened through a dark background.