I was enchanted by their charming and winsome form. What appealed to me most was the
pumpkin’s generous unpretentiousness. That and its solid spiritual base. (Yayoi Kusama)
Omer Tiroche Gallery pleased to announce its upcoming exhibition Yayoi Kusama: Small
Pumpkin Paintings, a presentation of small-scale pumpkin paintings by the Japanese artist.
This will be the first time that this small body of work will be displayed together in the UK.
Kusama experimented with her first pumpkin works in the 1940s while studying Nihonga - a
traditional form of Japanese painting - at the Kyoto School of Arts and Crafts. Although she
quickly left behind this delicate style in pursuit of the avant-garde, the pumpkin remained with
her. She exhibited Mirror Room (Pumpkin) at the 1993 Venice Biennale and, from this point,
her obsessive use of this motif intensified – the repetition being interpreted as an attempt to
control her fears.
One of Kusama’s best loved and most iconic motifs, the pumpkins are the visual embodiment
of her childhood as well as her present psychological state. She describes these paintings as a
form of self-portraiture, magnifying mirrors in which to ‘confront the spirit of the pumpkin,
forgetting everything else and concentrating [her] mind entirely on the form before [her]’.
Whether dwarfish or gargantuan, Kusama’s pumpkins are instantly recognisable. The flatness
of infinity net backgrounds combined with the 3D optical illusion of the polka-dot patterns
perfectly illustrate Kusama’s conflicted world: the push and pull between desire and escape,
simultaneously imprisoned by reality and locked out of it. Kusama’s pumpkin image is that of
the Japanese Kabocha squash, severed at the stalk. It continues to grow and ripen even though
it is disconnected from the earth. This important exhibition allows for a closer study of these
small-scale pivotal works, now shown together in one gallery space.
Simultaneously, Omer Tiroche Gallery will also display a curated selection of collages by the
artist at the Armory Show in New York between 7th - 11thMarch. Kusama worked on this series
between 1980 and 1981, and made them in homage to her dear friend and lover Joseph