Pace Hong Kong, 15C Entertainment Building, 30 Queens Road Central
Artist reception: Thursday, 28 July 2016, 6–8 p.m.
2016.07.29 – 09.14
This summer, Pace Hong Kong will present the first Hong Kong solo exhibition of important contemporary Chinese photographer Hai Bo. The exhibition will feature his classic works, known for uncovering the poetry in everyday scenes. These silent moments stand as a force of resistance against the chaos and clamor of our rapidly changing era. The exhibition will open on July 29, and on view through September 14. The opening reception on July 28 from 6 – 8 p.m. will be open to the general public. The artist will be in attendance.
Hai Bo focuses on the ordinary moments behind our complex reality, concealing weighty narratives and perceptions within easily overlooked rural scenes. Through the unique tension between the eternal and ephemeral in photography, these ordinary people and things are able to convey the unavoidable changes in times, history and the individual, to great emotional impact.
The Pace Hong Kong exhibition will present eight of Hai Bo’s works, including seven works from the Northern Series. A signature series in the artist’s oeuvre, the Northern Series uses the theme of family to convey the vast, desolate northern wilderness he calls home, and the people who pass over this yellow soil. Since 1982, Hai Bo has created many photographic works in his native northeastern China, expressing this stark beauty in his own unique way, and bearing witness to this individualized history.
Hai Bo’s maternal uncle features frequently in the Northern Series. Remembered as a strong and somewhatwild figure, time has reshaped Hai Bo’s uncle into a quiet old man. On the rare occasion the uncle has given accounts of the past, Hai Bo has recorded it, giving it the title Northern Series— End of Story. At the moment he pressed the shutter, the artist sensed the end of an era. The once familiar scenes, people and lives have all passed, and China has gradually progressed from an agrarian civilization to a modern one. In this process, the drastic change that has come to China has made it so that history is no longer an abstract concept but an intimate experience. More than individual catharsis and nostalgia, Hai Bo’s creations are a form of resistance
Another work in The Northern Series featured in the exhibition, 2008-1, also features the artist’s uncle. This now gentle old man gradually emerges from the shadows. “Their today is our tomorrow,” says Hai Bo, “In the end, we all belong to the dust.” This exhibition will also present the work Fable from the Photographic Diary series. This series is infused with Hai Bo’s signature poeticism, using seemingly scattered fragments to document memories as they slip away, effecting a recollection of memory with a light hand.
Hai Bo’s works are featured in numerous public collections including the Metropolitan Museum of Art, the J. Paul Getty Museum, Museum of Modern Art(MoMA), Smithsonian's Arthur M. Sackler Gallery, the Queensland Art Gallery. His selected solo exhibitions include Hai Bo at Pace Beijing, Beijing (2012) and Pace/MacGill Gallery, New York (2011); Perspectives: Hai Bo at Smithsonian's Arthur M. Sackler Gallery, Washington DC (2010). Recently, he was included in the following exhibitions: The China Project at Gallery of Modern Art and Queensland Art Gallery, Queensland, Australia (2009); Journeys: Mapping the Earth and Mind in Chinese Art at Metropolitan Museum of Art, New York, U.S.A (2007); Between Past and Future: New Photography and Video from China at ICP and Asia Society, New York, U.S.A (2004) and The 49th Venice Biennale, Venice, Italy (2001).
Hai Bo (b. 1962, Changchun, China) graduated from Printmaking Department of the Fine Art Institute of Jilin in 1984. His artistic ideals involve the restoration of the past through photography. Hai Bo’s work is less about what changes through time and more about what endures. His photography often depicts people shown in various stages of life as well as the passage of time. Hai Bo turns his gaze toward the stars, rivers, and mountains, where he sees a durable natural rhythm that can affect all people and serve as an inspiration to artists. He is a retiring solitary man, who, besides nature, loves literature and poetry. He spends most of his time at his home in the far reaches of Beijing, working in studio surrounded by high gray brick walls. There he immerses himself in his books, his memories, and the careful study of the photographs he has collected through years.