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Presented by Palazzo Monti

Presented by Palazzo Monti

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The Mummy Complex

October 31 – March 31, 2021

Closed

Palazzo Monti

About

Through the work of five artists, the exhibition aims to be the starting point for a reflection on the ontology of the image and an exploration of its potential through themes of authenticity, representation and corporeality.

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Oliver Laric, ‘Untitled’, 2014-2015

Untitled, 2014-2015

Paul Chapellier, ‘Who were the Yeomen, the Yeomen of England?’, 2020

Paul Chapellier

Who were the Yeomen, the Yeomen of England?, 2020

Paul Chapellier, ‘Stockbroker Tudor’, 2020

Paul Chapellier

Stockbroker Tudor, 2020

Gabriella Hirst

Interlude, 2018

Gabriele Beveridge, ‘Red Dust Hangs’, 2019

Gabriele Beveridge

Red Dust Hangs, 2019

Paul Chapellier, ‘The greatly affluent in sumptuous equipage, as they pass the chearful dwelling of the careless rustic or unambitious man, who prefers agrestic pleasures to the boisterous clamour of cities, involuntarily sigh as they behold the modest care-excluding mansions of the lowly contended’, 2020

Paul Chapellier

The greatly affluent in sumptuous equipage, as they pass the chearful dwelling of the careless rustic or unambitious man, who prefers agrestic pleasures to the boisterous clamour of cities, involuntarily sigh as they behold the modest care-excluding mansions of the lowly contended, 2020

Giusy Pirrotta, ‘Cascata su Fontane’, 2020

Cascata su Fontane, 2020

Gabriella Hirst

Vigilance, 2018

Painting

Photography

Sculpture

Prints

Work on Paper

Design

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Oliver Laric, ‘Untitled’, 2014-2015

Untitled, 2014-2015

Paul Chapellier, ‘Who were the Yeomen, the Yeomen of England?’, 2020

Paul Chapellier

Who were the Yeomen, the Yeomen of England?, 2020

Paul Chapellier, ‘Stockbroker Tudor’, 2020

Paul Chapellier

Stockbroker Tudor, 2020

Gabriella Hirst

Interlude, 2018

Gabriele Beveridge, ‘Red Dust Hangs’, 2019

Gabriele Beveridge

Red Dust Hangs, 2019

Paul Chapellier, ‘The greatly affluent in sumptuous equipage, as they pass the chearful dwelling of the careless rustic or unambitious man, who prefers agrestic pleasures to the boisterous clamour of cities, involuntarily sigh as they behold the modest care-excluding mansions of the lowly contended’, 2020

Paul Chapellier

The greatly affluent in sumptuous equipage, as they pass the chearful dwelling of the careless rustic or unambitious man, who prefers agrestic pleasures to the boisterous clamour of cities, involuntarily sigh as they behold the modest care-excluding mansions of the lowly contended, 2020

Giusy Pirrotta, ‘Cascata su Fontane’, 2020

Cascata su Fontane, 2020

Gabriella Hirst

Vigilance, 2018

Oliver Laric, ‘Untitled’, 2014-2015

Untitled, 2014-2015

Paul Chapellier, ‘The greatly affluent in sumptuous equipage, as they pass the chearful dwelling of the careless rustic or unambitious man, who prefers agrestic pleasures to the boisterous clamour of cities, involuntarily sigh as they behold the modest care-excluding mansions of the lowly contended’, 2020

Paul Chapellier

The greatly affluent in sumptuous equipage, as they pass the chearful dwelling of the careless rustic or unambitious man, who prefers agrestic pleasures to the boisterous clamour of cities, involuntarily sigh as they behold the modest care-excluding mansions of the lowly contended, 2020

Gabriella Hirst

Interlude, 2018

Gabriele Beveridge, ‘Red Dust Hangs’, 2019

Gabriele Beveridge

Red Dust Hangs, 2019

Paul Chapellier, ‘Stockbroker Tudor’, 2020

Paul Chapellier

Stockbroker Tudor, 2020

Gabriella Hirst

Vigilance, 2018

Paul Chapellier, ‘Who were the Yeomen, the Yeomen of England?’, 2020

Paul Chapellier

Who were the Yeomen, the Yeomen of England?, 2020

Giusy Pirrotta, ‘Cascata su Fontane’, 2020

Cascata su Fontane, 2020

Presented by Palazzo Monti

Palazzo Monti

Palazzo Monti

Palazzo Monti