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In Inherit the Dust (2014), unreleased portraits of animals taken over prior years were printed life-size and placed in locations where animals such as these used to roam but, as a result of human impact and development, no longer do.
In all but a few of the final photographs, the animals within the panels are effectively invisible to the people going about their lives. The animals have been reduced to ghosts in these blasted landscapes.

The damnation of animal life, the debasement of human life, the destructive connection between the two: It is not just the animals who are the victims of …