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In Roman Polanski’s film The Tenant, a man moves into an apartment previously inhabited by a witch, and finds a tooth buried in a wall. The witch eventually begins to enter his psyche, transforming his identity until he begins to wear her clothing and her tormented persona.

Polanski, removing the fang buried in the wall’s interior, unlocks the wilderness, teeming with its illogical constructions and desires, and brings it into his home.

For her first solo exhibition in New York City, sculptor Priscilla Fusco presents an arrangement of ceramic objects which suggest coral-like living creatures …