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The exhibit’s name, Concrete, seeks the use of its double meaning; on the one hand solid, tangible, real, and on the other, concrete—the construction material most identified with modernist architecture. Modern structures often populate Dorian Gottlieb’s works, but their concreteness is questionable.
The headline “Manipulated Photograph”, which describes the artistic practices in these works, …
The exhibit’s name, Concrete, seeks the use of its double meaning; on the one hand solid, tangible, real, and on the other, concrete—the construction material most identified with modernist architecture. Modern structures often populate Dorian Gottlieb’s works, but their concreteness is questionable.
The headline “Manipulated Photograph”, which describes the artistic practices in these works, implies an operating space in which the photographed image is used both as a starting point and as clay in the potter’s hands, akin to drawing or sculpting. Digital manipulations which include …