Before arriving in Leipzig, Theresa Möller (*1988) grew up in the German port town of Hamburg located at the mouth of Elbe’s river and near the North Sea. In the beginning, she develops a visual grammar deeply marked by this extremely rich and diverse city in terms of architecture. In her paintings, sorts of building sites appear (Baustelle) with well-constructed vanishing points. Her appeal for this inspiring architecture gradually fades away to allow a new genesis to speak: one of an inner world where Nature roars, where cloudy waters drown in surreal temporalities summon the figuration …