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One of the works that Cedric Tai hopes you have received is a postcard stating “I’m handing you a postcard”. This is the entrance to the show, asking the audience to consider the “why of production as opposed to the what” (Gillick, Liam. The Good of Work. 2009).

The west side of the gallery is a reconstruction of the artists’ studio/office complete with in process works. Tai posits that while artists attempt to make work that questions and mirrors reality, our careers do not provide an alternative to working within a neoliberal structure with its ceaseless demands. The artist is the ideal …