My work has typically been about motion. The intense pace and vitality of the urban setting excites me; I like to shoot fast and furiously, to be totally immersed and to be swept up in, and along with, the tide of the moment. I enjoy the element of chance in my photography.
I have done several sets of "People Walking" series with varying points of view. This group of images show very fragmented bits of people (and dogs), and the ground for the first time plays an important role. What is missing from the frame is as important, or more so, than what has been included. Bodies are moving in and out of the picture; where the people are going and why remains a mystery. But wherever they are headed, they move with purpose and at that fast pace for which New Yorkers are known.
These images foreshadow my later ground-oriented pictures (where I remove the human element entirely); I see these photos as a hybrid of the two bodies of work. The walking pictures are all about motion, the ground pictures are about moving slowly and paying attention. These "Looking Narrowly" images have a little of both, pulling the viewer in all sorts of directions.