Allegories & Identities
18 Nov – 23 Dec 2017
Opening: Friday, 17 November, 6.30pm – 8.30pm
Guests-of-Honour: H.E. Ngurah Swajaya (Indonesian Ambassador
In the Presence of Artists: Agus Suwage, Heri Dono, Jumaldi
Alfi and Titarubi
Flying horses and faceless men greet as saturated, contorted
bodies dance beside smiling hybrids. A statement here, a shadow
there—all around echoes a mystical, whimsical theatricality
built upon alter-realities, imaginative personas and a dosage
of carnival-esque silliness. Allegories & Identities is STPI
Gallery’s first Indonesian group show that uncovers the spirited
expressions and unconventional modes of three prominent
artists Eko Nugroho, Entang Wiharso and Heri Dono, through
selected works borne from their respective collaborations with
the STPI Creative Workshop.
Like metaphorical modern-day dalangs (‘puppet masters’), Eko, Entang and Heri
spin satirical epics that resonate with global citizens, transcending geographical,
cultural and material boundaries. Complex and open-ended, they beckon us to
expand our experiential perspectives and cultural viewpoints, as we confront their
interpretation of the world we live in and the inner worlds within us.
A departure from the overtly political and rebellious art forms of the 1970s,
the pluralism offered here reflects the increasing dynamism and hybridity of
contemporary Indonesian expressions. Recent explorations have seen a shift from
a focus on the turbulent past to concerns that illuminate sharp truths about life’s
absurdities and human nature. At STPI, the artists have taken their explorations
further, reconstructing their collage of traditional and modern artistic forms, high
and low culture, and local and global references in print and paper, adding new
dimensions to existing iconographies.
Eko’s characteristic motif of masks turned three-dimensional in works like Do
We Know Ourselves? (2013) and Love, Ego Money (2013), as his protagonists
intervened in public spaces and new contexts, unmasking social constructs,
highlighting the make-up of another’s social fabric.
Entang’s ‘black goat’ alter-ego in monumental tableaus like Black Goat vs. Identity
Crime and Aesthetic Crime: Comic Book Series (2014) and Home Sweet Home (2014)
are translated in new form and materials like the tactile qualities of paper, yarn and
saturated colours to heighten his depictions of identity and relational tensions.
Paired with cheeky titles that reflect an upturned logic, Heri perpetuates symbols of
‘HeriDonology’ by combining his subversion of the wayang kulit (‘shadow puppetry’)
language with the batik technique. The characters slip and slide into a chaotic world
devoid of binaries – a caricature of real-life characters in the past and the fluid
Potent with narratives and social commentary, these works are as much a statement
on cultural identities and the effects of socio-political climates, as they are an
introspection of the artists’ own practice within the contemporary art world. Their
curious assemblages are triumphant testaments to their artistic breadth, challenging
perceptions of Indonesian contemporary art.
This exhibition is held on the occasion of “RISING50”, in celebration of the 50th
anniversary of Singapore-Indonesia bilateral relations.