Tang Contemporary Art Center is proudly presenting artist Chen Wenbo’s solo exhibition “Day and Night”at Gallery Beijing Space on March 12th. Dozens of latest paintings created by the artist are showcased at the exhibition, constructing a colorful psychedelic world.
Under the artificial high light, the fitness ball on hardwood floor, the toast-clashing wine glasses, the turquoise pool, the red curtain on the stage and the fake leather couches… are all to be illuminated. Occupying the entire screen, every detail of the objects and the scenes are magnifiedin a quasi-microscopic view and the colorsoccuralienation, all bright and mellow. Thereby a super-realistic world is born where familiar things in our daily life are abstracted into just pure visual object, and the audiences feel as if they are at an unknown and illusory scene.
“In fact, they are ‘crime scenes’ in which no crimes have ever been really committed...They reveal the truth without any factual truth.This is indeed a portrait of our own egos, mingling the Self and the ‘object-a’, excluded and erased from the conscious world of the ‘social reality’” (Hou Hanru)
Distinct from the artists in the same era, Chen’s work criticizes the social reality in a metaphor approach. By engaging himself into the microscopic observation and analysis of modern life, he shapes the city texture with human desires in the consumerism society through applicationand combination of the fragmentary images.Inthe paintings, the reality is deconstructedby artificial light, like "addict" fantasizes the "artificial paradise"after taking hallucinogenic drugs. With the vision sliding on the surface of the objects, night and day alternate;one scene transits to another. Chen Wenbo shares with the people the magnificence and corruption of life in this "Day and Night”, and to release the desire from the world of solitude and vertigo.
From Vitamin Z series in 1996, Chen Wenbo continued to explore painting for 20 years. There is a transition of the artist from the alien application of light via coloration to the exploration of color and light as tools of seeing the world. In his view, “thecity is our reality; I tend to present the reality with myown perspective and the poetic syntax. It will be recorded as an undercover report like an archive. If one day, when people begin to suspect the mainstream narrative, then these personal opinionswill bethe most important and one of the evidence as well."
About the artist
1969 born in Chongqing, China
1986-1990 Graduated from Sichuan Academy of Fine Arts
1999 - lives and works in Beijing