Throughout his career Søren Behncke has been invested in the language of art. He has developed a distinct
vocabulary in drawing, painting and sculpture. With the exhibition Alphabet he has distilled and refined his artistic
practice and composed a visual alphabet. An alphabet of birds, bottles, brushes, cars, cups, cloths, doors, hats,
scissors, tables, trees, torsos, tombstones and many more objects. This alphabet is manifested in paintings,
sculptures and linocut prints. Objects from other artists’ studios and paintings are appropriated - a door and a cloth
from Van Gogh’s studio in Arles, a birdcage from Matisse in Nice, a pitcher and a stack of china from Le
Corbusier’s studio kitchen, a lamp from Fernand Léger’s Académie Moderne in Paris, the wonderful outsider
James Castle’s moldy old hat and a car from Claes Oldenburg.
Stylistically the alphabet bears little resemblance to the artists that influenced it. Still there is a strong element of lineage in Alphabet. Behncke has studied thousands of doors – walking in and out of them, resting in their frame – in paintings, in drawings and in photos. He has painted them, drawn them, printed them and sculpted them. He has notebooks full of doors. All this door knowledge is reduced to an image. An ideogram of a door. A door in a painting of Van Gogh’s studio. A door in a painting of L’académie Moderne. A door to enter or exit a painting. The basic beginning of a narrative.
Exploring Behncke’s Alphabet we feel the intuitive pull of understanding and relation. His alphabet lets us unlock
not only the works within the exhibition, but a language of art. A way of seeing and communicating the world. We
recognize the rooms we have never been in. We are moved by objects that are not supposed to move us. Beyond
verbal or written language. We can identify ancestral sentiments.
Alphabet feels timeless. Ancient contemporary.
Søren Behncke (Danish, b.1967) lives and works in Copenhagen. Behncke currently has an extensive solo
exhibition - The White House - on display at Museum Brundlund Castle, Denmark. The exhibition is part
retrospective and part new production. The new works on display engage in a dialogue with late Danish artist
Franciska Clausen (1899 – 1986). Behncke has previously had a solo exhibition at ARoS Art Museum, Denmark,
that has acquired an in-depth collection of his work over the past 10 years, most recently the acquisition of the
painting L’Atelier De Mondrian earlier this year. Behncke has recently been part of group exhibitions at J.F.
Willumsens Museum, Denmark, Arken Museum of Modern Art, Denmark and KØS museum for art in public
spaces, Denmark. He has travelled the world to make limited editions of lithographic prints on site with the Mobile
Printing Press in Albissola, Arles, Vienna, Paris, Madrid, Helsinki, Venice, Reykjavik, and Warszawa. His
temporary public sculptures and actions have been seen in New York, Copenhagen, Venice, Paris, and along
Danish highways. In 2019 Benhcke will mount a large-scale exhibition project with Museum Asger Jorn, Denmark.
Alphabet is Behncke’s 6th solo exhibition with V1 Gallery. The exhibition will be accompanied by a publication
documenting the process of Alphabet.