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“Every moment, inasmuch as it is a passage from rest to rest, is absolutely indivisible.” (Henri Bergson, Matter and Memory, 1896)

For his fourth exhibition at Galeria Vera Cortês, Daniel Gustav Cramer (1975, Neuss, Germany), brings together a group of works that are in dialogue with each other through the simple intertwining of ideas and that meet mostly in associations that are made by whomever enters the space and experiences the exhibition. Some of the works are almost invisible within their physical existence; this happens both by their waning presence, on the one hand, and the …