XISHAN Chinese have a conventional favor for landscape. Mountains and waters are not only home to Chinese, but also their spiritual recess. Therefore in China, there are both visible mountains and invisible mountains. Visible ones are natural, while invisible ones are cultural. The mountains are always there, silent and lofty. However in the recent decades they were gradually overlooked.

To complete Xishan, I started from Yaozhou, the hometown of Fan Kuan, a master in the Northern Song Dynasty, and travelled through Wangchuan, Central Plains and regions south of the Yangtze River. During my trip I visited all kinds of wonderful scenery and acquainted myself of many hermits. After one year of creation I decided that I should set my feet on places that had never been trodden by predecessors. I also attempt to create some more experimental works with pure traditional photography.

To complete Xishan, I started from Yaozhou, the hometown of Fan Kuan, a master in the Northern Song Dynasty, and travelled through Wangchuan, Central Plains and regions south of the Yangtze River. During my trip I visited all kinds of wonderful scenery and acquainted myself of many hermits. After one year of creation I decided that I should set my feet on places that had never been trodden by predecessors. I also attempt to create some more experimental works with pure traditional photography.

To complete XiSHAN, I started from Yaozhou, the hometown of Fan Kuan, a master in the Northern Song Dynasty, and travelled through Wangchuan, Central Plains and regions south of the Yangtze River. During my trip I visited all kinds of wonderful scenery and acquainted myself of many hermits. After one year of creation I decided that I should set my feet on places that had never been trodden by predecessors. I also attempt to create some more experimental works with pure traditional photography.

To complete XISHAN, I started from Yaozhou, the hometown of Fan Kuan, a master in the Northern Song Dynasty, and travelled through Wangchuan, Central Plains and regions south of the Yangtze River. During my trip I visited all kinds of wonderful scenery and acquainted myself of many hermits. After one year of creation I decided that I should set my feet on places that had never been trodden by predecessors. I also attempt to create some more experimental works with pure traditional photography.

To complete XISHAN, I started from Yaozhou, the hometown of Fan Kuan, a master in the Northern Song Dynasty, and travelled through Wangchuan, Central Plains and regions south of the Yangtze River. During my trip I visited all kinds of wonderful scenery and acquainted myself of many hermits. After one year of creation I decided that I should set my feet on places that had never been trodden by predecessors. I also attempt to create some more experimental works with pure traditional photography.

To complete XISHAN, I started from Yaozhou, the hometown of Fan Kuan, a master in the Northern Song Dynasty, and travelled through Wangchuan, Central Plains and regions south of the Yangtze River. During my trip I visited all kinds of wonderful scenery and acquainted myself of many hermits. After one year of creation I decided that I should set my feet on places that had never been trodden by predecessors. I also attempt to create some more experimental works with pure traditional photography.