American Gothic is perhaps the most recognizable painting in 20th C. American art and certainly Grant Wood's most famous art work. This exhibit brings together the full range of his art, with his early Arts and Crafts decorative objects, Impressionist oils, paintings and more.
Grant Wood's American Gothic—the double portrait of a pitchfork-wielding farmer and a woman commonly presumed to be his wife—is perhaps the most recognizable painting in 20th century American art, an indelible icon of Americana, and certainly Wood's most famous art work. But Wood's career consists of far more than one single painting. Grant Wood: American Gothic and Other Fables brings together the full range of his art, from his early Arts and Crafts decorative objects and Impressionist oils through his mature paintings, murals, and book illustrations. What the exhibition reveals is a complex, sophisticated artist whose image as a farmer-painter was as mythical as the fables he depicted in his art. Wood sought pictorially to fashion a world of harmony and prosperity that would answer America's need for reassurance at a time of economic and social upheaval occasioned by the Depression. Yet underneath its bucolic exterior, his art reflects the anxiety of being an artist and a closeted gay man in the Midwest in the 1930s. By depicting his subconscious anxieties through populist images of rural America, Wood crafted images that speak both to American identity and to the estrangement and isolation of modern life.
This exhibition is organized by Barbara Haskell, Curator, with Sarah Humphreville, Senior Curatorial Assistant.
Grant Wood: American Gothic and Other Fables is sponsored by Bank of America.
Major support is provided by the Henry Luce Foundation and the Barbara Haskell American Fellows Legacy Fund.
Significant support is provided by The Brown Foundation, Inc., of Houston; The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts; and public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Generous support is provided by John and Mary Pappajohn and the Robert Lehman Foundation, Inc.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.