In “Sundoor at World’s End”, the artist presents a new sculptural work directly inspired by the circular architecture, dome and oculus of La Maddalena: “Crystal Labyrinth (La Maddalena)”, 2017, is comprised of 888 rose quartz crystals forming a 7-meter in diameter labyrinth whose center aligns directly beneath the oculus. Visitors are invited to take a spiritual walk - circling to the center - illuminating their inner path and heart-based consciousness. The Rose is a symbol of a new dawn and the resurrection of light and renewal of life.
Since 2015, Bradley has created a body of framed abstract paintings he calls “Solar Shields”. Using a gold marker, the artist covers each Shield with tens of thousands of marks, line by line, thereby imbuing his energy into the Shield. The paint of the marker forges with the photographic image that forms the ground of each work.
The root images function as visual recordings sourced from journeys focusing on the metaphysics of spiritual ascension undertaken by the artist. Hidden completely by the artist’s hand or left partially uncovered revealing location fragments and compositional details, the Shields transmute into an etheric gold energy field, evoking electromagnetic waves, spiritual waters and inner auric light. The “Shield” series link material and spiritual dimensions.
For Bradley: “The ‘Shields’ are sized in the Golden Ratio and playing with numerological codes and patterns. The installation at La Maddalena will specifically relate to planetary movement and alignments within the Zodiac. The Shields are in harmony with the frequency of Natural Law and Source, and they become a conduit for dimensional energy exchange”.
For this new exhibition, the artist has realized an installation of 7 Shields created during the past two years. Six “Solar Shields” will be installed in the chambers and a black “Magnetic Shield” at the south altar of La Maddalena on specially designed easels. Bradley’s work deals with notions of cultural icons, transcendence and the de/reconstruction of symbols.
For this project, he focuses his attention on spiritual icons and the figure of Mary Magdalene, “the Apostle to the Apostles”, as he embeds the iconography of the Saint and symbolism related to Women, Divine Feminine energy, and the Moon within this exhibition.
Bradley collaborated with the Academy Award nominated composer Dustin O’Halloran to create a sound installation to sublimate the exhibition. “Sundoor at World’s End” includes a literary component written by John Major Jenkins, an expert in the calendar systems used in Mayan Cosmology. The text goes deeper into the idea of the “Sundoor” and the cultural mythologies surrounding the transformation of consciousness.
Slater B. Bradley: Sundoor at World’s End, presented by Zuecca Projects
Venue: La Maddalena (Church of Mary Magdalene) | Campiello Maddalena, 30121 Venice
Hours: May 12 - November 26, 2017 | from 10 AM to 6 PM | from Wednesday to Sunday. On July and August by appointment only.
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