Inspired by autumn, this is part an art series Autumn Sighs, where I explore colors, mixed with paper, sewing stitches finding that the mixture of textures is what I like.

Inspired by a copper wall I saw in BsAs, mixed with other beautiful memories I carry from sailboats and sewing

Midnight Swim invites viewers into a mesmerizing world where night envelops the landscape in its mysterious embrace. This abstract painting is a symphony of rich, immersive tones, with deep blues and blacks capturing the viewer's attention. Hints of misty textures appear through lighter, more ethereal brushstrokes, suggesting the presence of water and whispering secrets of a foggy lake under the moonlit sky.

The inspiration for this work springs from the meditative process of pour painting, where the unique interaction of paint and water guides its creation. Through this process, a vivid vision unfolds—a tranquil yet exhilarating swim in the moonlight, where every stroke embodies the fluidity and unpredictability of water kissed by night.

Midnight Swim is an evocative celebration of contrast, atmosphere, and the beauty found in serenity and chaos. The painting subtly invites contemplation, urging the viewer to dive into its depths and imagine their own nocturnal journey across a mystical lake.

Discovering New Depths is an enthralling exploration of abstraction, inviting you to journey through its vertical landscape of color and texture. In the creation of this piece, the artist embraced a meditative pour painting process, liberating the mind and allowing imagination to flow as if unearthing hidden secrets beneath the earth's surface. Discovering New Depths stands as a testament to the beauty of exploration and introspection, encouraging the viewer to delve into the mysteries portrayed within its layered depths.

Layered with texture, stencil work, and bold color, this piece is a vibrant meditation on emotional complexity. The iconic word “LOVE” dominates the composition in bold red letters, partially obscured and fragmented across an expressive background of spray-painted abstract patterning, and vintage wallpaper textures. At once graphic and intimate, the piece reflects Stephanie Dillon’s exploration of beauty found in chaos, and the enduring presence of love through disorder, decay, and resilience.

A visceral blend of rebellion and raw expression, this work confronts viewers with a stark black stencil of a raised middle finger layered over a cyan backdrop, smeared with chaotic pops of neon pink, red, and yellow. The hand painted phrase “BREAK THE RULES” cuts across the canvas in urgent, uneven letters. Both a call to action and a declaration of defiance. Part graffiti, part protest, this piece challenges authority, conformity, and polite presentation, staying true to Stephanie Dillon’s signature style of disruptive beauty.

This vibrant digital print captures a moment outside London’s O2 Arena during Billie Eilish’s 2022 Overheated World Tour, where Stephanie Dillon’s climate initiative, Citizen-T, was featured. Alive with color and energy, the photograph reflects a powerful intersection of art, activism, and music. A visual tribute to creative movements pushing for change in a rapidly warming world.

This vibrant digital print captures a moment outside London’s O2 Arena during Billie Eilish’s 2022 Overheated World Tour, where Stephanie Dillon’s climate initiative, Citizen-T, was featured. Alive with color and energy, the photograph reflects a powerful intersection of art, activism, and music. A visual tribute to creative movements pushing for change in a rapidly warming world.

This piece explores identity, femininity, and societal perception. The repeated words “LIAR” and “BABY” suggest conflicting roles imposed on women — from infantilization to accusation. The fragmented female form reflects how identity is shaped and fractured by judgment. Bold colors and chaotic textures convey defiance, internal conflict, and a critique of objectification.

A white buffalo, filled with bold Indigenous-inspired patterns, stands strong against a vibrant, chaotic backdrop. The contrast suggests resilience, sacredness, and cultural identity amid modern turbulence.

The Artwork represents what is born from silence. In the search of peace, often times the noise obscures the silence, but never really drowns it. And then, life happens. Things become anew.

The Artwork represents what is born from silence. In the search of peace, often times the noise obscures the silence, but never really drowns it. And then, life happens. Things become anew.

In my work, I explore the “Landscapes of the unconscious”—worlds that emerge from moments of stillness and meditation. These ethereal realms provide a sense of lightness and life, as if suspended in a dream.

Money Be Green is 2/4 of a mixed media series that layers vintage Mercedes Benz imagery over raw canvas and altered Polaroids, creating a dialogue between luxury and vulnerability. The piece takes its title from a line in the HBO Show 'The Wire', where a character reflects on being hustled. Here, that moment becomes something more for me—an exploration of how money flattens certain identities. Whether earned, stolen, or stumbled upon, money spends the same. In that way, it erases backstory, making everyone equal when it's time to spend.

“Black Leather Seats” is the 3/4 in a four-part mixed media series that places vintage Mercedes-Benz cars against raw, exposed canvas and hand-retouched Polaroid photographs. This work is rooted in my childhood memory—specifically, long summer rides in our family car with no air conditioning. The cracked leather seats would burn against the skin until the motion of the drive stirred enough breeze to ease the heat. More than discomfort, though, those rides carried a certain nostalgia: the texture of the seats, the sting of the sun, and the small, ordinary moments that somehow linger. The piece is a tribute to that blend of beauty and grit.

Little Red Ting is 1/4 from a series of mixed media pieces juxtaposing vintage Mercedes Benz cars against exposed canvas. The project began as a way to showcase each vehicle via Polaroid images but morphed into highlighting the overall textures, model skews, and feelings associated when discovered on the street or various locations.

This monochromatic piece from the Beyond Words series continues exploration of identity, choice, and inner tension. The entire canvas is immersed in a rhythmic interplay of black-and-white checkerboard patterns that dissolve into directional stripes — not only as a background but also embedded in the forms of the human-like heads. Arrows pointing in opposing directions appear above and below the masks, emphasizing the conflicting pulls of personal autonomy and external influence.
In Towards Independence, the viewer is invited to reflect on the forces shaping our paths — how we move, resist, or follow. The visual repetition and graphic contrasts create a hypnotic, almost meditative atmosphere, urging contemplation beyond the surface.
A compelling statement piece that challenges perception and symbolism, ideal for collectors seeking art that speaks both viscerally and intellectually.

Beyond words No.22 Independence Dependency II belongs to the painting series based on the chessboard elements and symbolic masks. This striking black and white oil painting explores the delicate tension between independence and dependency. At the top, two human-like masks — fused together from the center outward — contrast starkly: one half in white, the other in black. Their unity and opposition reflect the dualities we navigate in identity, relationships, and inner balance. Fragmented silhouettes of additional masks suggest an open composition — an unfinished story, inviting the viewer to interpret and complete it.
Grounded by a bold checkerboard pattern at the bottom, the work evokes themes of strategy, power dynamics, and life's paradoxes.
A visually arresting piece that sparks reflection and conversation — perfect for collectors drawn to conceptual depth and timeless monochrome aesthetics.

The artist is a nature lover, fascinated by flowers, and as a native of the Cerrado, she could not fail to portray the jasmine flower, an exotic, delicate flower with enchanting beauty and irresistible fragrance… It is a branch of jasmine manga, scientifically known as Plumeria rubra, which belongs to the Oleaceae family, comprising about 200 species. It is native to various tropical and subtropical regions of the world, and its name derives from the Arabic word “yasmin,” meaning “fragrant flower.” Jasmine is one of the prominent elements in the perfumes of Carolina Herrera (the famous Venezuelan-born designer based in the United States).
The benefits of jasmine (in bath, oil, essence, tea, or incense) are numerous, including: increased energy, weight loss, heart protection, improved blood circulation, reduced stress and anxiety, calming thoughts, strengthening the immune system, anesthetic action, relief from body aches, cholesterol control, antioxidant properties, slowing down cell aging, cancer prevention, revitalization of life and the environment, lightness for the body and mind, aphrodisiac effect, increased spiritual energy, and aiding meditation and prayer.
Creating flowers is something magical and rewarding. The artist is captivated by flowers and believes that they not only serve to beautify, harmonize, and perfume, but also have the ability to influence well-being, provide a sense of tranquility and peace, purify the air, relieve stress, and transform the energy of environments, serving as true remedies for the soul.

As a native of Tocantins, the Cerrado, and flowers, the artist could not fail to portray one of the treasures of the Cerrado: the golden threads of the sempre-viva, popularly known as capim-dourado, scientifically named Syngonanthus nitens. Despite its name, it is not actually grass and does not belong to the grass family; it is the stem of a small white flower from the sempre-viva family, the Eriocaulaceae. Each capim-dourado plant forms a rosette (or “sapata,” as experts call it), which grows close to the ground and measures about three to four centimeters in width. Each rosette typically produces two stems per year. At the top of the stems, very small flowers bloom, which later produce small dry fruits. These fruits are not edible but serve as guardians of the seeds that ensure the species’ perpetuation. This small flower is typical of the Cerrado, and its use is focused on handicrafts and decoration, making it an important source of income. Creating flowers is a magical and rewarding process, and the artist is captivated by them. She believes that flowers not only serve to beautify, harmonize, and perfume, but also have the power to influence well-being, provide a sense of tranquility and peace, purify the air, relieve stress, and transform the energy of environments, serving as true remedies for the soul.

As a nature lover, Júlia d’Paula learned to play with and admire the pequi and its uniquely beautiful flower since childhood, because in her hometown, pequi trees are everywhere: backyards, avenues, and squares, as well as the rural areas…
The pequi is native to the Brazilian Cerrado and has great economic, cultural, and gastronomic importance in her state, Tocantins. The appearance of its flowers makes the landscape even more beautiful, evoking the best memories in everyone and the desire for this special fruit. It is a true herald of the season for this Cerrado delicacy…
The artist continues her dive into the theme of nature and the natural beauties of her hometown. The contrast of yellow with green and red created a joyful and vibrant atmosphere.
Portraying two pequi flowers, showing their beauty and delicacy, was magical and rewarding for the artist, as she believes that flowers are not only meant to beautify, harmonize, and perfume. They also have the power to influence well-being, provide a sense of tranquility and peace, purify the air, relieve stress, and transform the energy of environments, acting as a remedy for our soul. For the artist, flowers are as good for the soul as art is.

This artwork was created during a time when the artist was going through emotional hardship. The artist has depicted the pain and suffering of that period, as well as circumstances beyond their control. The tension in the lips represents the agony the artist was enduring.

Part of the Seduction collection, Court Intrusion delves into a historical moment when women were drawn into the royal court not through desire, but through political manipulation. With a richly colored background and a unique, self-developed shading technique, the artist blurs the boundaries between form and abstraction to create a charged emotional atmosphere. Beneath the surface of power and politics, whispers of love and loyalty attempt to resist the contamination of a toxic system. This work speaks to the silent struggles of those trying to protect women from becoming pawns in the hands of royal ambition and corrupted desires.

E-Tea is a inclusion of extraterrestrial, human hybrid being living in a mystery world. The literally E is sitting in the tea representing unknown sacred hidden knowledge. There is so much ET knowledge that has been kept from society but now in 2025 the government has begun to expose that we are not alone. Its time they spill the tea. There is love in inclusion and knowledge. We are not alone and have never been alone. Its time we find love and acceptance of the unknown even if it scares us. This is not just literal but metaphorical to the human experience. The world is filled with endless possibility don't forget to think outside the box because anything is possible and believing is magic.

You Are The Art is a reminder to those who look at their own reflection that you are the art and the artist of your own life. Everyone is uniquely beautiful and when you look in this mirror your artistic beauty will reflect back to you. As a walking piece of art should be admired and admire ones self. As the artist of your own life you have the ability to create the most wonderful life. The possibilities are endless when you are the creator so dream big!

"My choice to paint portraits in black and white has a profound meaning for me. I believe that by eliminating color, I am leveling the playing field for all subjects, regardless of race, gender, or background. In black and white, the focus is on the individual's features and expression, without chromatic distractions.
On the other hand, the strong colored backgrounds I often use represent each person's unique experiences. Each hue, each tone, symbolizes the experiences, emotions, and challenges that have shaped the person being portrayed. Thus, the contrast between the simplicity of black and white and the intensity of colorful backgrounds reflects the complexity and diversity of the human condition."

"My choice to paint portraits in black and white has a profound meaning for me. I believe that by eliminating color, I am leveling the playing field for all subjects, regardless of race, gender, or background. In black and white, the focus is on the individual's features and expression, without chromatic distractions.
On the other hand, the strong colored backgrounds I often use represent each person's unique experiences. Each hue, each tone, symbolizes the experiences, emotions, and challenges that have shaped the person being portrayed. Thus, the contrast between the simplicity of black and white and the intensity of colorful backgrounds reflects the complexity and diversity of the human condition."

tamaño representa cada una (serie de 4)

This water color collage is done on arches paper and has patterns embroidered into it.

This water color collage is done on arches paper and has patterns embroidered into it.

This water color collage is done on arches paper and has patterns embroidered into it.

This water collage is done on arches paper and has patterns embroidered into it.

This water color collage is done on arches paper and has patterns embroidered into it.

This water color collage is done on arches paper and has patterns embroidered into the work.

This acrylic painting on canvas presents a minimalistic black-and-white portrait of a woman. The face is defined using bold, graphic lines, with a distinctive emphasis on her eyes and lips. The red lipstick stands out vividly against the grayscale palette, drawing the viewer's attention to her expression. The hand supporting the face adds a contemplative or thoughtful tone to the composition. The textured background, painted in a muted grey, allows the simplicity and contrast of the subject to be the central focus of the artwork.

This acrylic painting on canvas presents a bold, stylized side-profile portrait of Greg Gutfeld. The artist uses a black-and-white color scheme to emphasize the sharp contours of his face, with strong lines defining his furrowed brow and tense expression. The textured surface of the acrylic paint adds depth to the minimalist design, focusing on the intensity of Greg's facial expression, which conveys determination or frustration. The contrast between the light and dark areas heightens the emotional impact of the artwork, creating a powerful visual statement.

"In La Maschera the act of masking is not about hiding but transforming. It speaks to the ways we construct selfhood in a world that often demands performance. Through this piece I aim to hold space for introspection, for confronting the identity we inherit and the one we choose to wear, exploring how it is shaped, masked and ultimately expressed. The face at the center of the composition is marked by rhythmic vertical lines inviting the viewer to question what lies beneath the surface
Inspired by ancestral forms and ceremonial masks this work carries echoes of cultural memory and spiritual resonance The deep earthy tones contrast with the luminous gold leaf background suggesting a space where the sacred meets the human"

In Renaissance I invite the viewer to contemplate their own evolution, the parts of themselves that have been hidden, protected or reborn. It is a call to acknowledge the sacred within, to confront the past and to step forward with presence and purpose. The vertical lines act as concealment and revelation suggesting layers of self that are shaped by culture, memory and renewal. The use of gold evokes divinity and decay simultaneously referencing spiritual elevation while embracing imperfection. Renaissance is a reflection on identity, rebirth and the traces we carry from ancient to modern times. Drawing inspiration from ritual masks and sacred iconography my work fuses tradicional symbolism with contemporary abstraction. The face etched with turquoise lines over a raw earthy base emerges from a fractured field of gold leaf as a visual metaphor for transformation through time, struggle and illumination