Laura Pasquino, renowned for her minimalist and tactile ceramic creations, takes a bold step in her artistic journey with her latest piece, "Temple”. Standing at an impressive height of 2 meters, this monumental work marks a departure from her usual delicate and intimate scale, embracing a more expansive and evocative approach.

Inspired by the fragility and grandeur of ancient structures, "Temple" presents a dynamic stack of round and oval ceramic forms, evoking a rise towards the heavens. The sculpture’s design recalls the ruins of antiquity, where time and the elements have imparted a poetic delicacy to once-imposing edifices. Each piece, with its unglazed surface and tactile texture, reflects Laura's commitment to showcasing the raw beauty of the material while celebrating its imperfections.

The construction of the sculpture demonstrates Laura’s dedication to durability and aesthetic integrity. Made from fine, resilient clay and fired at high temperatures, the spherical and oval ceramic elements form a cohesive structure that balances strength and fragility. The sculpture is designed for stability and solidity.

Laura describes "Temple" as a visual representation of the interplay between simplicity and complexity. The piece resembles a stack of rounded shapes, arranged in a chaotic yet structured manner, reflecting the organic randomness found in nature. It challenges conventional notions of stability and balance, inviting viewers to meditate on the layers of existence that contribute to our collective narrative.

The dark hues of the sculpture, combined with its lack of color, enhance its contemplative nature, directing attention to the purity of its geometry and texture. "Temple" encourages reflection on the idea of building temples within ourselves, not with stone or brick, but through our thoughts, feelings, and experiences.

Laura Pasquino's "Temple" offers a profound meditative experience, leveraging her exploration of natural textures and forms while introducing a playful new element to her work. It stands as a testament to her ability to blend traditional techniques with innovative approaches, creating a piece that is both timeless and contemporary.

Laura Pasquino created ” Essence 2 ” for her Soloshow at Ceramic Brussels 2024 where she participated with the Grège Gallery.

She’s a ceramic artist based in Amsterdam. Before opening her studio in The Netherlands, she practiced ceramic art in Japan and Portugal.

Her natural aesthetic style features minimalistic, harmonious shapes that celebrate the imperfections and beauty of simplicity. She expresses herself through the textures and organic nuances of clay, creating minimalist sculptures in pure and simple forms.

Laura aims to balance traditional techniques with organic clay textures, often leaving her works unglazed to showcase the material’s humble beauty. She prioritizes giving character to her pieces over perfecting them, leaving her fingerprints and tool marks as traces of her process and adding soul to the objects.

Laura Pasquino natural aesthetic style features minimalistic, harmonious shapes that celebrate the imperfections and beauty of simplicity. She expresses herself through the textures and organic nuances of clay, creating minimalist sculptures in pure and simple forms.

Laura aims to balance traditional techniques with organic clay textures, often leaving her works unglazed to showcase the material’s humble beauty. She prioritizes giving character to her pieces over perfecting them, leaving her fingerprints and tool marks as traces of her process and adding soul to the objects.

Laura Pasquino natural aesthetic style features minimalistic, harmonious shapes that celebrate the imperfections and beauty of simplicity. She expresses herself through the textures and organic nuances of clay, creating minimalist sculptures in pure and simple forms.

Laura Pasquino created ” Grain 16 ” for Ceramic Brussels 2024 where she participated with the Grège Gallery.

She’s a ceramic artist based in Amsterdam. Before opening her studio in The Netherlands, she practiced ceramic art in Japan and Portugal.

Her natural aesthetic style features minimalistic, harmonious shapes that celebrate the imperfections and beauty of simplicity. She expresses herself through the textures and organic nuances of clay, creating minimalist sculptures in pure and simple forms.

Laura aims to balance traditional techniques with organic clay textures, often leaving her works unglazed to showcase the material’s humble beauty. She prioritizes giving character to her pieces over perfecting them, leaving her fingerprints and tool marks as traces of her process and adding soul to the objects.

Laura Pasquino created “Dove – brown, textured” for Ceramic Brussels 2024 where she participated with the Grège Gallery.

She’s a ceramic artist based in Amsterdam. Before opening her studio in The Netherlands, she practiced ceramic art in Japan and Portugal.

Her natural aesthetic style features minimalistic, harmonious shapes that celebrate the imperfections and beauty of simplicity. She expresses herself through the textures and organic nuances of clay, creating minimalist sculptures in pure and simple forms.

Laura aims to balance traditional techniques with organic clay textures, often leaving her works unglazed to showcase the material’s humble beauty. She prioritizes giving character to her pieces over perfecting them, leaving her fingerprints and tool marks as traces of her process and adding soul to the objects.

Laura Pasquino natural aesthetic style features minimalistic, harmonious shapes that celebrate the imperfections and beauty of simplicity. She expresses herself through the textures and organic nuances of clay, creating minimalist sculptures in pure and simple forms.