
KEAN: Fleeting Skies
KEAN (b. 1988) is a French abstract painter whose gradient-based landscapes explore the emotional and optical limits of colour, light, and perception. A self-taught artist rooted in graffiti and influenced by American Colour Field and the Light and Space movement, KEAN uses meticulous layering to create luminous portals that blur the boundary between painting, photography, and dreamlike space. His recent works blurs the boundaries between memory and imagination, presence and escape.
"The idea was really to represent dreamlike landscapes - things that spoke to me through my travels, my photographs."
KEAN’s work explores the tension between memory and perception, using seamless colour gradients to construct abstract landscapes that feel both intimate and infinite. Drawing on influences from graffiti, photography, and the Light and Space movement, his abstract landscapes function as portals — quiet spaces for reflection, escape, and sensory immersion.
At Maddox Gallery, Fleeting Skies invites viewers to contemplate the passing of time through colour and light, challenging the boundaries between interior emotion and external atmosphere within contemporary abstraction.
L'aveu de tes yeux
Executed in layered acrylics, his pastel surfaces result from meticulous technique, each seamless gradient built from dozens of translucent coats pulsing with quiet energy. Stretching across two metres of linen, L’Aveu de tes yeux embodies this sensibility, its pastel haze hinting at a confession whispered at first light.

2024, Acrylic on Canvas, 220 x 176 cm
Abysses
While graffiti introduced KEAN to the expressive language of colour and form, photography provided structure and stillness into his compositions. Through doorways, portholes, and windows, these paintings quietly invite views to pause, reflect, and step beyond the canvas. His works invite us not merely to look at art, but to step through it.

2024, Acrylic on Canvas, 130 x 97 cm
Love is a losing game
“Every second shifts the light; that’s the place I want to paint,” the artist remarks, framing his fascination with impermanence. Whether blurring the horizon line with a dry brush or echoing the gradient of a sky reflected in water, he paints not only what is seen but what is felt in fleeting moments.

2024, Acrylic on Canvas, 114 x 162 cm



